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It is noticeable that the fan configurations are not fixed; on the contrary, they reveal, when looking at their historical formations, blunt transformations, being these linked to the football contexts and the social conjunctures that radiate on this sport. In the meantime, the present work aimed at understanding the current fan configuration within the popular sectors of the stadiums (commonly known by the name of General) of the three teams in the capital of Pernambuco: Clube Náutico Capibaribe, Santa Cruz Futebol Clube and Sport Club do Recife, through the aesthetic and performatic formations of their fans. In other words, the work on screen sought to understand the current fan configurations in Gerais from the analysis of the ritual of these fans in the contexts of the matches, in front of the performances, facades, backstage, team work and the scenarios built by the group. In order to achieve the proposed goal, the main vehicle for observation and analysis was the cultural productions focused on the musicalities.