
Hypermetric Manipulations in Haydn and Mozart
Chamber Music for Strings, 1787 - 1791
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Hypermetric Manipulations in Haydn and Mozart offers a systematic classification of hypermetrical irregularities in relation to phrase structure. It also offers a comprehensive account of the ways in which phrase structure and hypermeter were described by eighteenth-century music theorists, conceived by eighteenth-century composers, and perceived by eighteenth-century listeners.