21,99 €
inkl. MwSt.
Versandfertig in über 4 Wochen
11 °P sammeln
Andere Kunden interessierten sich auch für
![Caught Falling: The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas]( "Caught Falling: The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas")
Caught Falling: The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas42,37 €![The Intimate Act of Choreography]( "The Intimate Act of Choreography")
The Intimate Act of Choreography54,99 €![New Queer Cinema]( "New Queer Cinema")
New Queer Cinema47,99 €![Dancefilm]( "Dancefilm")
Dancefilm57,99 €![Dancers as Diplomats]( "Dancers as Diplomats")
Dancers as Diplomats44,99 €![New Queer Cinema]( "New Queer Cinema")
New Queer Cinema47,99 €![Ethereal Queer]( "Ethereal Queer")
Ethereal Queer29,99 €
David Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine in depth the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide? Gere expands the definition of choreography to analyze not only theatrical dances but also the protests conceived by ACT-UP and the NAMES Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a portrait of gay male choreographers struggling to cope with AIDS and its meanings.