Rhys Hughes has never been a stranger to experimental fiction and unusual ways of constructing stories, and this mini-collection gathers some of his most far-reaching examples, placed squarely in the world of OuLiPo writing. Short for Ouvroir de littérature potentielle or the workshop of potential literature, OuLiPo is a grouping of authors who fashion works based on constrained writing techniques - writing that follows rigorous and extremely precise rules concerning structure and layout etc. And here, we encounter works based on rigid numerical constraints, works in the form of grids that can…mehr
Rhys Hughes has never been a stranger to experimental fiction and unusual ways of constructing stories, and this mini-collection gathers some of his most far-reaching examples, placed squarely in the world of OuLiPo writing. Short for Ouvroir de littérature potentielle or the workshop of potential literature, OuLiPo is a grouping of authors who fashion works based on constrained writing techniques - writing that follows rigorous and extremely precise rules concerning structure and layout etc. And here, we encounter works based on rigid numerical constraints, works in the form of grids that can be read in any direction, and a "logico-erotic tale in which the permutations of the sexual acts are based on the workings of logic gates." The intricacy of construction within these carefully defined restraints is stunning but the resulting literary world is still very much the author's own, filled with his characteristic sense of humour, the absurd and the fantastical. This is a slim but large-format book to give space for all the complex layouts, grids, structures etc. that make up these stories.
Rhys Hughes was born in 1966. Tartarus Press published his first collection, Worming the Harpy, in 1995, and since that time he has published more than thirty other books. His fiction is generally fantastical and his output mainly consists of short stories, though he has published several novels. His work is frequently compared to that of Boris Vian, Flann O'Brien and R.A. Lafferty, but he cites his major influences as Italo Calvino and Donald Barthelme. His three most recent books are the collections Bone Idle in the Charnel House (Hippocampus Press), Orpheus on the Underground (Tartarus Press) and Brutal Pantomimes (Egaeus Press). Fascinated by paradoxes, he incorporates them into his fiction as entertainingly as he can. Sangria in the Sangraal was inspired by a real visit to the town of Albarracín in the year 2007.
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