Horror Television in the Age of Consumption
Binging on Fear
Herausgeber: Jackson, Kimberly; Belau, Linda
Horror Television in the Age of Consumption
Binging on Fear
Herausgeber: Jackson, Kimberly; Belau, Linda
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This volume explores the reasons for horror television series' wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows' themes comment on the culture that consumes them.
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This volume explores the reasons for horror television series' wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows' themes comment on the culture that consumes them.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 208
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 229mm x 155mm x 18mm
- Gewicht: 408g
- ISBN-13: 9780367888923
- ISBN-10: 0367888920
- Artikelnr.: 58483510
- Verlag: CRC Press
- Seitenzahl: 208
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 229mm x 155mm x 18mm
- Gewicht: 408g
- ISBN-13: 9780367888923
- ISBN-10: 0367888920
- Artikelnr.: 58483510
Linda Belau is Professor in the Department of Literature and Cultural Studies and Director of Film Studies at the University of Texas-Rio Grande Valley, USA. She is the editor of Topologies of Trauma (2002), Psychoanalysis and La Femme (2010) and the author of several articles on literary, cultural, and cinema studies. Kimberly Jackson is Associate Professor of English and Chair of the Department of Language and Literature at Florida Gulf Coast University, USA. She is the author of Technology, Monstrosity, and Reproduction in Twenty-First Century Horror (2013) and Gender and the Nuclear Family in Twenty-First Century Horror (2016).
Introduction: Bingeing on Horror (Linda Belau and Kimberly Jackson)
1. Pigeons from Hell: Anthology Horror on American Television in the 1950s
and 1960s (Peter Hutchings)
2. "Where It Belongs": Television Horror, Domesticity, and Alfred Hitchcock
Presents (Mark Jancovich)
3. The Thing "Chants Out Between Two Worlds": Surreal Latency in the Twin
Peaks Universe
(Ed Cameron)
4. "If I could have feelings at all, I'd have them for Deb": Love, Law, and
Loss in Showtime's Dexter (Kimberly Jackson)
5. White trash in wife-beaters? Television Werewolves, Gender, and Class
(Lorna Jowett)
6. "The World is Changing Again": Bodies, Interpretation, and the Monotony
of the Drive in The Walking Dead (Alexander N. Howe)
7. Family Ties and Maternal Things: Bates Motel as Family Romance for the
Post-Oedipal Era (Linda Belau)
8. Masters of Mise-En-Scène: The Stylistic Excess of Hannibal (Stacey
Abbott)
9. Sleepy Hollow and the Horrors of History Post 9/11 (Jim Daems)
10. It's a Monster Mash! Penny Dreadful and the Return to (and of)
Contemporary Horror's Victorian Roots (Michael Fuchs)
11. Slashing through the Bonds of Blood: Queer Family and Scream: The TV
Series (Kyle Christensen)
12. Resurrection: Ash vs Evil Dead, Network Television, and the Cult Horror
Film Revival (Ian Conrich)
13. "Welcome to the Upside Down:" Nostalgia and Cultural Fears in Stranger
Things (Rose Butler)
1. Pigeons from Hell: Anthology Horror on American Television in the 1950s
and 1960s (Peter Hutchings)
2. "Where It Belongs": Television Horror, Domesticity, and Alfred Hitchcock
Presents (Mark Jancovich)
3. The Thing "Chants Out Between Two Worlds": Surreal Latency in the Twin
Peaks Universe
(Ed Cameron)
4. "If I could have feelings at all, I'd have them for Deb": Love, Law, and
Loss in Showtime's Dexter (Kimberly Jackson)
5. White trash in wife-beaters? Television Werewolves, Gender, and Class
(Lorna Jowett)
6. "The World is Changing Again": Bodies, Interpretation, and the Monotony
of the Drive in The Walking Dead (Alexander N. Howe)
7. Family Ties and Maternal Things: Bates Motel as Family Romance for the
Post-Oedipal Era (Linda Belau)
8. Masters of Mise-En-Scène: The Stylistic Excess of Hannibal (Stacey
Abbott)
9. Sleepy Hollow and the Horrors of History Post 9/11 (Jim Daems)
10. It's a Monster Mash! Penny Dreadful and the Return to (and of)
Contemporary Horror's Victorian Roots (Michael Fuchs)
11. Slashing through the Bonds of Blood: Queer Family and Scream: The TV
Series (Kyle Christensen)
12. Resurrection: Ash vs Evil Dead, Network Television, and the Cult Horror
Film Revival (Ian Conrich)
13. "Welcome to the Upside Down:" Nostalgia and Cultural Fears in Stranger
Things (Rose Butler)
Introduction: Bingeing on Horror (Linda Belau and Kimberly Jackson)
1. Pigeons from Hell: Anthology Horror on American Television in the 1950s
and 1960s (Peter Hutchings)
2. "Where It Belongs": Television Horror, Domesticity, and Alfred Hitchcock
Presents (Mark Jancovich)
3. The Thing "Chants Out Between Two Worlds": Surreal Latency in the Twin
Peaks Universe
(Ed Cameron)
4. "If I could have feelings at all, I'd have them for Deb": Love, Law, and
Loss in Showtime's Dexter (Kimberly Jackson)
5. White trash in wife-beaters? Television Werewolves, Gender, and Class
(Lorna Jowett)
6. "The World is Changing Again": Bodies, Interpretation, and the Monotony
of the Drive in The Walking Dead (Alexander N. Howe)
7. Family Ties and Maternal Things: Bates Motel as Family Romance for the
Post-Oedipal Era (Linda Belau)
8. Masters of Mise-En-Scène: The Stylistic Excess of Hannibal (Stacey
Abbott)
9. Sleepy Hollow and the Horrors of History Post 9/11 (Jim Daems)
10. It's a Monster Mash! Penny Dreadful and the Return to (and of)
Contemporary Horror's Victorian Roots (Michael Fuchs)
11. Slashing through the Bonds of Blood: Queer Family and Scream: The TV
Series (Kyle Christensen)
12. Resurrection: Ash vs Evil Dead, Network Television, and the Cult Horror
Film Revival (Ian Conrich)
13. "Welcome to the Upside Down:" Nostalgia and Cultural Fears in Stranger
Things (Rose Butler)
1. Pigeons from Hell: Anthology Horror on American Television in the 1950s
and 1960s (Peter Hutchings)
2. "Where It Belongs": Television Horror, Domesticity, and Alfred Hitchcock
Presents (Mark Jancovich)
3. The Thing "Chants Out Between Two Worlds": Surreal Latency in the Twin
Peaks Universe
(Ed Cameron)
4. "If I could have feelings at all, I'd have them for Deb": Love, Law, and
Loss in Showtime's Dexter (Kimberly Jackson)
5. White trash in wife-beaters? Television Werewolves, Gender, and Class
(Lorna Jowett)
6. "The World is Changing Again": Bodies, Interpretation, and the Monotony
of the Drive in The Walking Dead (Alexander N. Howe)
7. Family Ties and Maternal Things: Bates Motel as Family Romance for the
Post-Oedipal Era (Linda Belau)
8. Masters of Mise-En-Scène: The Stylistic Excess of Hannibal (Stacey
Abbott)
9. Sleepy Hollow and the Horrors of History Post 9/11 (Jim Daems)
10. It's a Monster Mash! Penny Dreadful and the Return to (and of)
Contemporary Horror's Victorian Roots (Michael Fuchs)
11. Slashing through the Bonds of Blood: Queer Family and Scream: The TV
Series (Kyle Christensen)
12. Resurrection: Ash vs Evil Dead, Network Television, and the Cult Horror
Film Revival (Ian Conrich)
13. "Welcome to the Upside Down:" Nostalgia and Cultural Fears in Stranger
Things (Rose Butler)