Demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Victoria Aarons analyses the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss.
Demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Victoria Aarons analyses the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss.
Victoria Aarons holds the position of O.R. and Eva Mitchell Distinguished Professor of Literature at Trinity University, where she teaches courses on American Jewish and Holocaust literatures.
Inhaltsangabe
Contents Acknowledgments Introduction: Holocaust Graphic Narratives: Visual Testimonies of Memory 1 The Performance of Memory: Miriam Katin's We Are On Our Own, A Child Survivor's (Auto)Biographical Memoir 2 Memory Frames: Mendel's Daughter, A Second-Generation Perspective 3 "Replacing absence with memory": Bernice Eisenstein's Graphic Memoir I Was the Child of Holocaust Survivors 4 Flying Couch: A Third-Generation Tapestry of Memory 5 Yossel: April 19, 1943: Possible Histories 6 Visual Landscapes of Memory: Fracturing Time and Space Epilogue: An Inheritance of Memory Acknowledgments Notes Bibliography Index About the Author
Contents Acknowledgments Introduction: Holocaust Graphic Narratives: Visual Testimonies of Memory 1 The Performance of Memory: Miriam Katin's We Are On Our Own, A Child Survivor's (Auto)Biographical Memoir 2 Memory Frames: Mendel's Daughter, A Second-Generation Perspective 3 "Replacing absence with memory": Bernice Eisenstein's Graphic Memoir I Was the Child of Holocaust Survivors 4 Flying Couch: A Third-Generation Tapestry of Memory 5 Yossel: April 19, 1943: Possible Histories 6 Visual Landscapes of Memory: Fracturing Time and Space Epilogue: An Inheritance of Memory Acknowledgments Notes Bibliography Index About the Author
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