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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 254
- Erscheinungstermin: 23. Juni 2015
- Englisch
- Abmessung: 216mm x 140mm x 13mm
- Gewicht: 299g
- ISBN-13: 9781138884076
- ISBN-10: 1138884073
- Artikelnr.: 42786480
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 254
- Erscheinungstermin: 23. Juni 2015
- Englisch
- Abmessung: 216mm x 140mm x 13mm
- Gewicht: 299g
- ISBN-13: 9781138884076
- ISBN-10: 1138884073
- Artikelnr.: 42786480
Kimball King
Introduction
Kimball King; Part HOLLYWOOD ON STAGE; Chapter 1 "Engaged in the Art of Photodrama": Merton of the Movies
William Hutchings; Chapter 2 What Makes Sammy Run?: S. N. Behrman and the Fugitive Kind
Robert F. Gross; Chapter 3 Hollywood as Moral Landscape: Clifford Odets' The Big Knife
Albert Wertheim; Chapter 4 Hollywood on the Contemporary Stage: Image
Phallic "Players
" and the Culture Industry
Stephen Watt; Chapter 5 Staging Hollywood
Selling Out
Marcia Blumberg; Chapter 6 Sanctity
Seduction or Settling Scores Against the Swine in Speed-the-Plow?
Leslie Kane; Chapter 7 So Dis Is Hollywood: Mamet in Hell
Toby Silverman Zinman; Chapter 8 The Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow
Katherine H. Burkman; Chapter 9 Alienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians
RJ LaVelle; Chapter 10 "It's Symbolic!"-Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society
Todd M. Lidh; Chapter 11 "The Devil Answers": Drury Pifer's Strindberg in Hollywood
William Kerwin; Chapter 12 The Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance
Christopher C. Hudgins; Chapter 13 Hollywood as Text in the Plays of Christopher Hampton
with Reference to David Rabe and Others
Kimball King; Chapter 14 The Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White
E. Barnsley Brown; Chapter 15 Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective
Robert Gross
Kimball King; Chapter 16 The Matter of Bodies: Women
Pornography
and Hollywood in Marlane Meyer's Etta Jenks
Leslie Frost; Index;
Kimball King; Part HOLLYWOOD ON STAGE; Chapter 1 "Engaged in the Art of Photodrama": Merton of the Movies
William Hutchings; Chapter 2 What Makes Sammy Run?: S. N. Behrman and the Fugitive Kind
Robert F. Gross; Chapter 3 Hollywood as Moral Landscape: Clifford Odets' The Big Knife
Albert Wertheim; Chapter 4 Hollywood on the Contemporary Stage: Image
Phallic "Players
" and the Culture Industry
Stephen Watt; Chapter 5 Staging Hollywood
Selling Out
Marcia Blumberg; Chapter 6 Sanctity
Seduction or Settling Scores Against the Swine in Speed-the-Plow?
Leslie Kane; Chapter 7 So Dis Is Hollywood: Mamet in Hell
Toby Silverman Zinman; Chapter 8 The Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow
Katherine H. Burkman; Chapter 9 Alienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians
RJ LaVelle; Chapter 10 "It's Symbolic!"-Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society
Todd M. Lidh; Chapter 11 "The Devil Answers": Drury Pifer's Strindberg in Hollywood
William Kerwin; Chapter 12 The Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance
Christopher C. Hudgins; Chapter 13 Hollywood as Text in the Plays of Christopher Hampton
with Reference to David Rabe and Others
Kimball King; Chapter 14 The Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White
E. Barnsley Brown; Chapter 15 Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective
Robert Gross
Kimball King; Chapter 16 The Matter of Bodies: Women
Pornography
and Hollywood in Marlane Meyer's Etta Jenks
Leslie Frost; Index;
Introduction
Kimball King; Part HOLLYWOOD ON STAGE; Chapter 1 "Engaged in the Art of Photodrama": Merton of the Movies
William Hutchings; Chapter 2 What Makes Sammy Run?: S. N. Behrman and the Fugitive Kind
Robert F. Gross; Chapter 3 Hollywood as Moral Landscape: Clifford Odets' The Big Knife
Albert Wertheim; Chapter 4 Hollywood on the Contemporary Stage: Image
Phallic "Players
" and the Culture Industry
Stephen Watt; Chapter 5 Staging Hollywood
Selling Out
Marcia Blumberg; Chapter 6 Sanctity
Seduction or Settling Scores Against the Swine in Speed-the-Plow?
Leslie Kane; Chapter 7 So Dis Is Hollywood: Mamet in Hell
Toby Silverman Zinman; Chapter 8 The Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow
Katherine H. Burkman; Chapter 9 Alienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians
RJ LaVelle; Chapter 10 "It's Symbolic!"-Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society
Todd M. Lidh; Chapter 11 "The Devil Answers": Drury Pifer's Strindberg in Hollywood
William Kerwin; Chapter 12 The Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance
Christopher C. Hudgins; Chapter 13 Hollywood as Text in the Plays of Christopher Hampton
with Reference to David Rabe and Others
Kimball King; Chapter 14 The Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White
E. Barnsley Brown; Chapter 15 Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective
Robert Gross
Kimball King; Chapter 16 The Matter of Bodies: Women
Pornography
and Hollywood in Marlane Meyer's Etta Jenks
Leslie Frost; Index;
Kimball King; Part HOLLYWOOD ON STAGE; Chapter 1 "Engaged in the Art of Photodrama": Merton of the Movies
William Hutchings; Chapter 2 What Makes Sammy Run?: S. N. Behrman and the Fugitive Kind
Robert F. Gross; Chapter 3 Hollywood as Moral Landscape: Clifford Odets' The Big Knife
Albert Wertheim; Chapter 4 Hollywood on the Contemporary Stage: Image
Phallic "Players
" and the Culture Industry
Stephen Watt; Chapter 5 Staging Hollywood
Selling Out
Marcia Blumberg; Chapter 6 Sanctity
Seduction or Settling Scores Against the Swine in Speed-the-Plow?
Leslie Kane; Chapter 7 So Dis Is Hollywood: Mamet in Hell
Toby Silverman Zinman; Chapter 8 The Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow
Katherine H. Burkman; Chapter 9 Alienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians
RJ LaVelle; Chapter 10 "It's Symbolic!"-Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society
Todd M. Lidh; Chapter 11 "The Devil Answers": Drury Pifer's Strindberg in Hollywood
William Kerwin; Chapter 12 The Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance
Christopher C. Hudgins; Chapter 13 Hollywood as Text in the Plays of Christopher Hampton
with Reference to David Rabe and Others
Kimball King; Chapter 14 The Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White
E. Barnsley Brown; Chapter 15 Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective
Robert Gross
Kimball King; Chapter 16 The Matter of Bodies: Women
Pornography
and Hollywood in Marlane Meyer's Etta Jenks
Leslie Frost; Index;