A unique and overdue insight and study into how the landscape, institutions and collective memory has influenced the representation of the past on British television from 1946 to the present day, promoting a very singular view of what it means to be British.
A unique and overdue insight and study into how the landscape, institutions and collective memory has influenced the representation of the past on British television from 1946 to the present day, promoting a very singular view of what it means to be British.
Robert Dillon is a Honorary Research Fellow in the Department of History at Lancaster University
Inhaltsangabe
List of figures Preface Acknowledgements List of abbreviations Introduction: switching on the past 1. Whose past is it anyway? 2. Post-war television and history 3. The making of a popular commodity 4. Bringing the past alive 5. Truth or drama: Documentary history 6. Characterising the past 7. Britain as a warrior-nation 8. Presenting the past 9. Nation, nationality and television history Bibliography Index of programme titles General index
List of figures Preface Acknowledgements List of abbreviations Introduction: switching on the past 1. Whose past is it anyway? 2. Post-war television and history 3. The making of a popular commodity 4. Bringing the past alive 5. Truth or drama: Documentary history 6. Characterising the past 7. Britain as a warrior-nation 8. Presenting the past 9. Nation, nationality and television history Bibliography Index of programme titles General index
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