History as Fantasy in Music, Sound, Image, and Media
Herausgeber: Cook, James; Robinson, Alexander; Kolassa, Alexander
History as Fantasy in Music, Sound, Image, and Media
Herausgeber: Cook, James; Robinson, Alexander; Kolassa, Alexander
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Exploring how music is used to portray the past in a variety of media, this book probes the relationship between history and fantasy in the imagination of the musical past.
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Exploring how music is used to portray the past in a variety of media, this book probes the relationship between history and fantasy in the imagination of the musical past.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 266
- Erscheinungstermin: 11. April 2024
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 549g
- ISBN-13: 9781032271866
- ISBN-10: 1032271868
- Artikelnr.: 70150407
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 266
- Erscheinungstermin: 11. April 2024
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 549g
- ISBN-13: 9781032271866
- ISBN-10: 1032271868
- Artikelnr.: 70150407
James Cook is Senior Lecturer in Early Music at the University of Edinburgh. Alexander Kolassa is a Lecturer in Music at the Open University, UK. Alexander Robinson is a Marie-Sk¿odowska-Curie postdoctoral fellow at the CESR, Tours, France. Adam Whittaker is Head of Pedagogy at Royal Birmingham Conservatoire,UK.
Introduction - James Cook, Alexander Kolassa, Alexander Robinson, Adam
Whittaker I. Using and Misusing Early Music 1. 'Official' (televisual)
History, Music and the Reinforcement of Popular Imagination: the Case of
David Starkey's Monarchy - Alexander Robinson (Independent Scholar) 2.
Damon Albarn, Dr Dee, and situation specific medievalism: An ephemeral
fantasy or a disposable commodity?- Ralph Corrigan (Independent Scholar)
3.Shakespeare, the early modern, and period song in the American silent
cinema - Kendra Leonard 4. Early Music in the 'Early Game'- Jennifer Smith
(University of Huddersfield) 5. A masked ritual and backwards priests:
Aural and visual corruption in Stanley Kubrick's Eyes Wide Shut - Daniel
Trocmé-Latter (University of Cambridge) II. Early music, immersive media,
and virtual histories 6. Audiovisual Interaction in Virtual Worlds: Seeing
Sound and Hearing Objects in Visual Cultures - James Cook (University of
Edinburgh) 7. Half-real worlds? Immersion and the representation of musical
pasts in virtual reality- Adam Whittaker (Royal Birmingham Conservatoire)
8. Authenticity in sound design for virtual reality - Stephen Tatlow (Royal
Holloway University of London) III. Early music out of time and space 9.
Haunted by the Past: Music and Folk Horror in Children of the Stones -
Alexander Kolassa (The Open University) 10. Pixels et al.: Multi-layered
representation of past(s) in theaudio, visual, and ludic elements of
Shovel Night and other screen media - Dean Chalmers (University of
Edinburgh) 11. The endless knot: Turning the seasons in Harrison
Birtwistle's Gawain (1991) and David Lowery's The Green Knight (2021) -
George K. Haggett 12. A Jolly Good Thirteenth -Century Romp: Galavant
architextuality, and the intertextual performance of race, gender, and
social class in a medievalist musical comedy for television - William A.
Everett (University of Missouri)
Whittaker I. Using and Misusing Early Music 1. 'Official' (televisual)
History, Music and the Reinforcement of Popular Imagination: the Case of
David Starkey's Monarchy - Alexander Robinson (Independent Scholar) 2.
Damon Albarn, Dr Dee, and situation specific medievalism: An ephemeral
fantasy or a disposable commodity?- Ralph Corrigan (Independent Scholar)
3.Shakespeare, the early modern, and period song in the American silent
cinema - Kendra Leonard 4. Early Music in the 'Early Game'- Jennifer Smith
(University of Huddersfield) 5. A masked ritual and backwards priests:
Aural and visual corruption in Stanley Kubrick's Eyes Wide Shut - Daniel
Trocmé-Latter (University of Cambridge) II. Early music, immersive media,
and virtual histories 6. Audiovisual Interaction in Virtual Worlds: Seeing
Sound and Hearing Objects in Visual Cultures - James Cook (University of
Edinburgh) 7. Half-real worlds? Immersion and the representation of musical
pasts in virtual reality- Adam Whittaker (Royal Birmingham Conservatoire)
8. Authenticity in sound design for virtual reality - Stephen Tatlow (Royal
Holloway University of London) III. Early music out of time and space 9.
Haunted by the Past: Music and Folk Horror in Children of the Stones -
Alexander Kolassa (The Open University) 10. Pixels et al.: Multi-layered
representation of past(s) in theaudio, visual, and ludic elements of
Shovel Night and other screen media - Dean Chalmers (University of
Edinburgh) 11. The endless knot: Turning the seasons in Harrison
Birtwistle's Gawain (1991) and David Lowery's The Green Knight (2021) -
George K. Haggett 12. A Jolly Good Thirteenth -Century Romp: Galavant
architextuality, and the intertextual performance of race, gender, and
social class in a medievalist musical comedy for television - William A.
Everett (University of Missouri)
Introduction - James Cook, Alexander Kolassa, Alexander Robinson, Adam
Whittaker I. Using and Misusing Early Music 1. 'Official' (televisual)
History, Music and the Reinforcement of Popular Imagination: the Case of
David Starkey's Monarchy - Alexander Robinson (Independent Scholar) 2.
Damon Albarn, Dr Dee, and situation specific medievalism: An ephemeral
fantasy or a disposable commodity?- Ralph Corrigan (Independent Scholar)
3.Shakespeare, the early modern, and period song in the American silent
cinema - Kendra Leonard 4. Early Music in the 'Early Game'- Jennifer Smith
(University of Huddersfield) 5. A masked ritual and backwards priests:
Aural and visual corruption in Stanley Kubrick's Eyes Wide Shut - Daniel
Trocmé-Latter (University of Cambridge) II. Early music, immersive media,
and virtual histories 6. Audiovisual Interaction in Virtual Worlds: Seeing
Sound and Hearing Objects in Visual Cultures - James Cook (University of
Edinburgh) 7. Half-real worlds? Immersion and the representation of musical
pasts in virtual reality- Adam Whittaker (Royal Birmingham Conservatoire)
8. Authenticity in sound design for virtual reality - Stephen Tatlow (Royal
Holloway University of London) III. Early music out of time and space 9.
Haunted by the Past: Music and Folk Horror in Children of the Stones -
Alexander Kolassa (The Open University) 10. Pixels et al.: Multi-layered
representation of past(s) in theaudio, visual, and ludic elements of
Shovel Night and other screen media - Dean Chalmers (University of
Edinburgh) 11. The endless knot: Turning the seasons in Harrison
Birtwistle's Gawain (1991) and David Lowery's The Green Knight (2021) -
George K. Haggett 12. A Jolly Good Thirteenth -Century Romp: Galavant
architextuality, and the intertextual performance of race, gender, and
social class in a medievalist musical comedy for television - William A.
Everett (University of Missouri)
Whittaker I. Using and Misusing Early Music 1. 'Official' (televisual)
History, Music and the Reinforcement of Popular Imagination: the Case of
David Starkey's Monarchy - Alexander Robinson (Independent Scholar) 2.
Damon Albarn, Dr Dee, and situation specific medievalism: An ephemeral
fantasy or a disposable commodity?- Ralph Corrigan (Independent Scholar)
3.Shakespeare, the early modern, and period song in the American silent
cinema - Kendra Leonard 4. Early Music in the 'Early Game'- Jennifer Smith
(University of Huddersfield) 5. A masked ritual and backwards priests:
Aural and visual corruption in Stanley Kubrick's Eyes Wide Shut - Daniel
Trocmé-Latter (University of Cambridge) II. Early music, immersive media,
and virtual histories 6. Audiovisual Interaction in Virtual Worlds: Seeing
Sound and Hearing Objects in Visual Cultures - James Cook (University of
Edinburgh) 7. Half-real worlds? Immersion and the representation of musical
pasts in virtual reality- Adam Whittaker (Royal Birmingham Conservatoire)
8. Authenticity in sound design for virtual reality - Stephen Tatlow (Royal
Holloway University of London) III. Early music out of time and space 9.
Haunted by the Past: Music and Folk Horror in Children of the Stones -
Alexander Kolassa (The Open University) 10. Pixels et al.: Multi-layered
representation of past(s) in theaudio, visual, and ludic elements of
Shovel Night and other screen media - Dean Chalmers (University of
Edinburgh) 11. The endless knot: Turning the seasons in Harrison
Birtwistle's Gawain (1991) and David Lowery's The Green Knight (2021) -
George K. Haggett 12. A Jolly Good Thirteenth -Century Romp: Galavant
architextuality, and the intertextual performance of race, gender, and
social class in a medievalist musical comedy for television - William A.
Everett (University of Missouri)