Seventeen studies by noted experts that demonstrate recent approaches toward the creative interpretation of primary sources regarding Renaissance and Baroque music, Mozart, Beethoven, Mendelssohn, Verdi, Debussy, and beyond.
Seventeen studies by noted experts that demonstrate recent approaches toward the creative interpretation of primary sources regarding Renaissance and Baroque music, Mozart, Beethoven, Mendelssohn, Verdi, Debussy, and beyond.
Introduction: Scholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations - Roberta Marvin A Collaboration between Cipriano de Rore and Baldissera Donato? - Jessie Ann Owens New Perspectives on Bach's Great Eighteen Chorales - Russell Stinson Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48 BWV 48 - Stephen Crist Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works - Michael Marissen Mozart's Mitridate: Going beyond the Text - Ellen T. Harris Carl Philipp Emanuel Bach and the Aesthetics of Patricide - Richard Kramer Joseph Haydn's Influence on the Symphonies of Antonio Rosetti - Lawrence F. Bernstein Reason and Imagination: Beethoven's Aesthetic Evolution - Maynard Solomon Schubert as Formal Architect: The Quartrttsatz , D.703 - Lewis Lockwood Sex, Sexuality, and Schubert's Piano Music - Jeffrey Kallberg "Le Belle Exécution": Johann Nepomuk Hummel's Treatise and the Art of Playing the Pianoforte - Mark Kroll "For You Have Been Rebellious against the Lord": The Jewish Image in Mendelssohn's Moses and Marx's Mose - Jeffrey Sposato Andrea Maffei's "Ugly Sin": The Libretto for Verdi's I masnadieri - Roberta Marvin Mozart's Piano Concertos and the Romantic Generation - Claudia Macdonald "Wo die Zitronen blühn": Re-Versions of Arie antiche - Margaret Murata Material Culture and Postmodern Positivism: Rethinking the "Popular" in Late-Nineteenth Century French Music - Jann Pasler Otto Gombosi's Correspondence at the University of Chicago - Laurence Libin
Introduction: Scholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations - Roberta Marvin A Collaboration between Cipriano de Rore and Baldissera Donato? - Jessie Ann Owens New Perspectives on Bach's Great Eighteen Chorales - Russell Stinson Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48 BWV 48 - Stephen Crist Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works - Michael Marissen Mozart's Mitridate: Going beyond the Text - Ellen T. Harris Carl Philipp Emanuel Bach and the Aesthetics of Patricide - Richard Kramer Joseph Haydn's Influence on the Symphonies of Antonio Rosetti - Lawrence F. Bernstein Reason and Imagination: Beethoven's Aesthetic Evolution - Maynard Solomon Schubert as Formal Architect: The Quartrttsatz , D.703 - Lewis Lockwood Sex, Sexuality, and Schubert's Piano Music - Jeffrey Kallberg "Le Belle Exécution": Johann Nepomuk Hummel's Treatise and the Art of Playing the Pianoforte - Mark Kroll "For You Have Been Rebellious against the Lord": The Jewish Image in Mendelssohn's Moses and Marx's Mose - Jeffrey Sposato Andrea Maffei's "Ugly Sin": The Libretto for Verdi's I masnadieri - Roberta Marvin Mozart's Piano Concertos and the Romantic Generation - Claudia Macdonald "Wo die Zitronen blühn": Re-Versions of Arie antiche - Margaret Murata Material Culture and Postmodern Positivism: Rethinking the "Popular" in Late-Nineteenth Century French Music - Jann Pasler Otto Gombosi's Correspondence at the University of Chicago - Laurence Libin
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