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Considering affect as mood, inclination, and manner, as well as emotion, and addressing affect as both an economic and cultural phenomenon, this collection of fourteen original essays showcases historical modes of affect within the formal productions of early modern English theater as well as its more informal entertainments and spectacles. It is therefore an important reference for students and scholars of theater studies, performance studies, early modern history, and literary theory.

Produktbeschreibung
Considering affect as mood, inclination, and manner, as well as emotion, and addressing affect as both an economic and cultural phenomenon, this collection of fourteen original essays showcases historical modes of affect within the formal productions of early modern English theater as well as its more informal entertainments and spectacles. It is therefore an important reference for students and scholars of theater studies, performance studies, early modern history, and literary theory.
Autorenporträt
Ronda Arab, Associate Professor of English at Simon Fraser University, is the author of Manly Mechanicals on the Early Modern English Stage (2011), an examination of the gender status of working men in Shakespeare and his contemporaries. Michelle M. Dowd is Associate Professor of English at the University of North Carolina, Greensboro. She is the author of Women's Work in Early Modern English Literature and Culture (2009) and The Dynamics of Inheritance on the Shakespearean Stage (forthcoming 2015). Adam Zucker is Associate Professor of English at the University of Massachusetts Amherst. He is the author of The Places of Wit in Early Modern English Comedy and the co-editor of Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage, 1625-1642.