Focusing on how museums prioritize and produce content, Hip Heritage demonstrates how economic issues play an ever-larger role in determining how cultural heritage is being framed and presented in contemporary heritage museums.
Focusing on how museums prioritize and produce content, Hip Heritage demonstrates how economic issues play an ever-larger role in determining how cultural heritage is being framed and presented in contemporary heritage museums.
Lizette Gradén is Associate Professor of Ethnology at University of Lund, Sweden. Former museum professional, her research includes museum leadership and curatorial practices, ritual and performance, vernacular art, and more than 25 years of academic and public work in Swedish-American and Nordic-American culture and heritage making. Among her recent publications is Kulturarv i förändring (2020) co-edited with Tom O'Dell. Tom O'Dell is Professor of Ethnology at Lund University, Sweden. His research has focused upon three primary themes: Transnational Cultural Processes, Mobility, and The Cultural Economy. O'Dell has a long reserach history oriented towards collaborative and applied cultural analysis.
Inhaltsangabe
Chapter 1. Introduction: Challenges and opportunities for museums working in contemporary hybrid markets; Chapter 2. Hip Heritage: Rethinking heritage in the museum; Chapter 3. Exit Through the Gift Shop: Commercial curating and the packaging of Swedish culture for the heritage market; Chapter 4. Mandatory Collaboration: Consultants, craftsmen, and other heritage makers; Chapter 5. Not Hip Enough? The opening and closing of the Museum of Movements; Chapter 6. Conclusions
Chapter 1. Introduction: Challenges and opportunities for museums working in contemporary hybrid markets; Chapter 2. Hip Heritage: Rethinking heritage in the museum; Chapter 3. Exit Through the Gift Shop: Commercial curating and the packaging of Swedish culture for the heritage market; Chapter 4. Mandatory Collaboration: Consultants, craftsmen, and other heritage makers; Chapter 5. Not Hip Enough? The opening and closing of the Museum of Movements; Chapter 6. Conclusions
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