Explores the performative role of canonical literary works from the 1920s, providing a more nuanced understanding of high modernism and resituating it within literary history.
Explores the performative role of canonical literary works from the 1920s, providing a more nuanced understanding of high modernism and resituating it within literary history.
Introduction: The Problematics of High Modernism The New Critics and the Social Function of Modern Literature Literary Theory's Reception of High Modernism Aesthetic Performativity in Franz Kafka's Das Schloss Discontinuity in Virginia Woolf's To the Lighthouse The Enactment of Time in Thomas Mann's Der Zauberberg Chiasms in William Faulkner's As I Lay Dying Conclusion: The Dialectic of High Modernism Appendix: The Early, High, and Late Phases of Modernism Bibliography Index
Introduction: The Problematics of High Modernism The New Critics and the Social Function of Modern Literature Literary Theory's Reception of High Modernism Aesthetic Performativity in Franz Kafka's Das Schloss Discontinuity in Virginia Woolf's To the Lighthouse The Enactment of Time in Thomas Mann's Der Zauberberg Chiasms in William Faulkner's As I Lay Dying Conclusion: The Dialectic of High Modernism Appendix: The Early, High, and Late Phases of Modernism Bibliography Index
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