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This updating of our previous title, The Point Where All Things Meet, which Tom Andrews edited in 1994, selects from the contents of that earlier book and adds many new essays that have appeared in the interim. The result is a complex and generous survey of Charles Wright's "trilogy of trilogies," the sweeping project encompassed in the selected volumes comprised by Country Music (1982), The World of the Ten Thousand Things (1990), and Negative Blue (2000).