Explores the main concepts of Herder's aesthetics: aesthetic naturalism, where art is natural to and naturally valuable for human beings, and aesthetic pluralism, where aesthetic value takes many diverse, culturally varying forms. The book will interest scholars and students working on the philosophy of art or eighteenth-century European thought.
Explores the main concepts of Herder's aesthetics: aesthetic naturalism, where art is natural to and naturally valuable for human beings, and aesthetic pluralism, where aesthetic value takes many diverse, culturally varying forms. The book will interest scholars and students working on the philosophy of art or eighteenth-century European thought.
Rachel Zuckert is Professor of Philosophy at Northwestern University, Illinois. She is author of the prizewinning Kant on Beauty and Biology (Cambridge, 2007) and co-editor of Hegel on Philosophy in History (Cambridge, 2017).
Inhaltsangabe
Introduction Part I. Herder's Aesthetics: 1. Herder's philosophical naturalism 2. Synthesis and critique of eighteenth-century aesthetics 3. Aesthetics of the senses 4. Aesthetics of expression: coda cultural variation and taste Part II. Explorations: 5. The problem of the sublime 6. Sculpture and touch 7. Aesthetics and (in)authenticity: Herder's reputation of Ossian Conclusion.
Introduction Part I. Herder's Aesthetics: 1. Herder's philosophical naturalism 2. Synthesis and critique of eighteenth-century aesthetics 3. Aesthetics of the senses 4. Aesthetics of expression: coda cultural variation and taste Part II. Explorations: 5. The problem of the sublime 6. Sculpture and touch 7. Aesthetics and (in)authenticity: Herder's reputation of Ossian Conclusion.
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