Herbert Bayer's World Geo-Graphic Atlas and Information Design at Midcentury offers broader insights into the roles twentieth-century artists and designers such as Herbert Bayer played in popularizing scientific knowledge and shaping audiences' geographical worldviews
Herbert Bayer's World Geo-Graphic Atlas and Information Design at Midcentury offers broader insights into the roles twentieth-century artists and designers such as Herbert Bayer played in popularizing scientific knowledge and shaping audiences' geographical worldviews
Benjamin Benus is an associate professor of art and design history at Loyola University New Orleans. He specializes in the history of modern art, with a focus on twentieth-century graphic design in Europe and the United States. He completed his PhD in art history at the University of Maryland in College Park, and he earned a BFA and an MS in art history from the Pratt Institute in Brooklyn, New York.
Inhaltsangabe
Acknowledgments ix Introduction 1 1 LESSONS AND LEGACY OF THE BAUHAUS 1.1. Weimar-Dessau-Berlin 25 1.2. New York-Aspen 33 2 PRODUCTION AND STYLE 2.1. Technical and Logistical Considerations 2.2. The Printers' Maps 51 2.3. Illustration and Graphic Form 2.4. "Toward the Book of the Future" 67 3 SOURCES AND METHODS 3.1. Collaborations and Appropriations 77 3.2. Visual Education and Isotype 83 3.3. Picturing Populations 93 3.4. Picturing Processes 103 4 ADVERTISING AND INFORMATION 4.1. "The Realms of Education and Good Taste" 111 4.2. Visual Identity at Container Corporation of America 115 4.3. Modern Art in Advertising 123 4.4. "Political Inferences" 129 4.5. "The Complete Task of the Graphic Designer" 139 Conclusion 145 Bibliography 151 Index 155
Acknowledgments ix Introduction 1 1 LESSONS AND LEGACY OF THE BAUHAUS 1.1. Weimar-Dessau-Berlin 25 1.2. New York-Aspen 33 2 PRODUCTION AND STYLE 2.1. Technical and Logistical Considerations 2.2. The Printers' Maps 51 2.3. Illustration and Graphic Form 2.4. "Toward the Book of the Future" 67 3 SOURCES AND METHODS 3.1. Collaborations and Appropriations 77 3.2. Visual Education and Isotype 83 3.3. Picturing Populations 93 3.4. Picturing Processes 103 4 ADVERTISING AND INFORMATION 4.1. "The Realms of Education and Good Taste" 111 4.2. Visual Identity at Container Corporation of America 115 4.3. Modern Art in Advertising 123 4.4. "Political Inferences" 129 4.5. "The Complete Task of the Graphic Designer" 139 Conclusion 145 Bibliography 151 Index 155
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