Henry James criticized the impressionism movement, yet time and again used the word 'impressio' to represent his characters's consciousness, as well as the work of the literary artist. This book explores this anomaly, placing James's work within the wider cultural history of impressionism.
Henry James criticized the impressionism movement, yet time and again used the word 'impressio' to represent his characters's consciousness, as well as the work of the literary artist. This book explores this anomaly, placing James's work within the wider cultural history of impressionism.
John Scholar is a Lecturer in the Department of English Literature, University of Reading
Inhaltsangabe
Introduction: Resisting Impressionism Part I: James's Theories of the Impression: Texts and Contexts 1: James's Criticism of Existing Theories of the Impression, 1872-88 2: Contexts (I): Empiricism and Psychology 3: Contexts (II): Aestheticism and the Performative 4: James's Late Theory of the Impression Part II: James's Practice of the Impression in the Late Novels 5: Impressions Received in The Ambassadors 6: Impressions Made in The Wings of the Dove 7: Impressions New and Used in The Golden Bowl
Introduction: Resisting Impressionism Part I: James's Theories of the Impression: Texts and Contexts 1: James's Criticism of Existing Theories of the Impression, 1872-88 2: Contexts (I): Empiricism and Psychology 3: Contexts (II): Aestheticism and the Performative 4: James's Late Theory of the Impression Part II: James's Practice of the Impression in the Late Novels 5: Impressions Received in The Ambassadors 6: Impressions Made in The Wings of the Dove 7: Impressions New and Used in The Golden Bowl
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