Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film. Also includes 11 musical examples.
Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film. Also includes 11 musical examples.
Anahid Kassabian is Director of Postgraduate Research in the School of Music at the University of Liverpool, James and Constance Alsop Chair, and Editor of Music, Sound, and the Moving Image. She coedited the book Keeping Score: Music, Disciplinarity,Culture (1997) and has written numerous articles and book chapters on popular music, film music and feminist theory.
Inhaltsangabe
Table of Contents: Acknowledgments Listen for Identifications: A Prologue 1. How Film Music Works 2. How Music Works in Film 3. A Woman Scored 4. At the Twilight's Last Scoring 5. Opening Scores Tracking Identifications: An Epilogue Appendices Works Cited Videos Cited Endnotes Index
Table of Contents: Acknowledgments Listen for Identifications: A Prologue 1. How Film Music Works 2. How Music Works in Film 3. A Woman Scored 4. At the Twilight's Last Scoring 5. Opening Scores Tracking Identifications: An Epilogue Appendices Works Cited Videos Cited Endnotes Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
