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Analyzing sculpture in Hawthorne's fiction through the recurring motif of the fragment, in its double guise as ruin and project, Deanna Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.