HAVING BEEN NAMED - Bennett, John M.
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Bennett's realignment of this fabulous text is divided into 26 somewhat brief, but incredibly beautiful, dense, unpunctuated and asyntactic sections, each with its own title. The overall effect reading these passages is that of a sublime but often disturbing dream, that requires its own rules and sets of margins or lack thereof. The relentless run-on flow of words as enactments of sounds dredged from an archaic distance has affinities with not just earth's surface but more precisely what lies underneath, an inherent chthonic Hell. Bennett's oneiric vision plunges the reader into a shadowy,…mehr

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Produktbeschreibung
Bennett's realignment of this fabulous text is divided into 26 somewhat brief, but incredibly beautiful, dense, unpunctuated and asyntactic sections, each with its own title. The overall effect reading these passages is that of a sublime but often disturbing dream, that requires its own rules and sets of margins or lack thereof. The relentless run-on flow of words as enactments of sounds dredged from an archaic distance has affinities with not just earth's surface but more precisely what lies underneath, an inherent chthonic Hell. Bennett's oneiric vision plunges the reader into a shadowy, indefinable alternate reality, an aphasia of the senses. Things more often unnamed--murders, children, cries, vengeances pass through a misty lens, light transmogrified by language into a tenuous dark other-world. The text is short enough to be read in one sitting and should be in order to get its full effect, a powerfully mesmerizing excursion through this telescoped concise language into a turbulent epic scenario, not unlike the constantly shifting nuances of the Mahabharata, except that here we are in Pre-Columbian Mesoamerica. - Iván Argüelles
Autorenporträt
John M. Bennett was born in Chicago, Illinois, October 12, 1942. A life-long poet, his work started to become well-known in the 1970's. Since that time, he has become one of the world's best-known avant-garde and experimental poets. He has worked in a wide variety of genres, including text, visual poetry, graphics, sound and performance poetry, mail art, film and media, and has collaborated with other writers and artists from around the globe. He was also editor of the international literary journal Lost and Found Times, 1975-2005. Richard Kostelanetz has said, "John M. Bennett has been the seminal American poet of my generation because he has produced so much luminous work in a bewildering variety of experimental modes." Further biographic details may be found in his autobiography (Contemporary Authors Autobiography Series, Detroit: Gale, v. 25, 1996).