Looking at everything from classic movies like James Whale’s The Old Dark House to contemporary works like Hereditary, The Conjuring, and the Netflix series The Haunting of Hill House, Dahlia Schweitzer explores why haunted homes have become a prime stage for dramatizing anxieties about family, gender, race, and economic collapse.
Looking at everything from classic movies like James Whale’s The Old Dark House to contemporary works like Hereditary, The Conjuring, and the Netflix series The Haunting of Hill House, Dahlia Schweitzer explores why haunted homes have become a prime stage for dramatizing anxieties about family, gender, race, and economic collapse.
DAHLIA SCHWEITZER is an associate professor of film and media at the Fashion Institute of Technology in New York City. Her many books include L.A. Private Eyes and Going Viral: Zombies, Viruses, and the End of the World (both Rutgers University Press).
Inhaltsangabe
Introduction 1 The Suburbs 2 The Suburban Gothic 3 Gender, Horror, and the Family 4 Race, Horror, and the Family Conclusion Acknowledgments Further Reading Works Cited Index
Introduction 1 The Suburbs 2 The Suburban Gothic 3 Gender, Horror, and the Family 4 Race, Horror, and the Family Conclusion Acknowledgments Further Reading Works Cited Index
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