Chikako Nihei is an assistant professor at Yamaguchi University. She received her PhD in Japanese at the University of Sydney. Her publications include "The Productivity of a Space In-between: Murakami Haruki as a Translator" (2016) and "Resistance and Negotiation: The 'Herbivorous Men' and Murakami Haruki's Gender and Political Ambiguity" (2013).
Inhaltsangabe
Acknowledgements 1 Introduction 2 Distancing Japanese literary tradition: Monogatari and language 3 "Departure" from the distrust of language: Narration as engagement 4 Narrativising memories: Murakami's attempt at a realist novel in Norwegian Wood 5 Distance within, will to imagine, and power of metaphor in Kafka on the Shore 6 Writing in the space in-between: Murakami's exploration of cross-cultural effects 7 Conclusion: Monogatari as an antibody, 1Q84 and stories after "Fukushima" Index
Acknowledgements 1 Introduction 2 Distancing Japanese literary tradition: Monogatari and language 3 "Departure" from the distrust of language: Narration as engagement 4 Narrativising memories: Murakami's attempt at a realist novel in Norwegian Wood 5 Distance within, will to imagine, and power of metaphor in Kafka on the Shore 6 Writing in the space in-between: Murakami's exploration of cross-cultural effects 7 Conclusion: Monogatari as an antibody, 1Q84 and stories after "Fukushima" Index
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