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An analysis of the intersection of science and music in nineteenth-century Germany: how music provided physicists with a venue for experiments as well as a cultural resource, and how physics assisted musicians in their art and musical instrument makers in their craft.

Produktbeschreibung
An analysis of the intersection of science and music in nineteenth-century Germany: how music provided physicists with a venue for experiments as well as a cultural resource, and how physics assisted musicians in their art and musical instrument makers in their craft.
Autorenporträt
Myles W. Jackson is Professor of the History of Science, Director of Science Studies, and Chair of Humanities at Willamette University. He is the author of Spectrum of Belief: Joseph von Fraunhofer and the Craft of Precision Optics (MIT Press, 2000), which was winner of the Paul-Bunge-Prize of the German Chemical Society in 2005 for an outstanding contribution to the study of scientific instruments.