This far-reaching study is the first comprehensive volume on Hans Holbein in 40 years. It is filled with color reproductions of the Renaissance artist's magnetic portraits, such as the well-loved rendering of the baby Edward, Prince of Wales, wielding his gold rattle like a scepter. Art historians will find the scholarship deep and subtle; all readers will enjoy stories such as the tale about Anne of Cleves, one of Henry VIII's prospective brides. Holbein enhanced her plain looks with regal robes of gold-encrusted velvet. The portrait persuaded Henry to propose; when Anne arrived, though, he called her a "fat Flanders mare." Holbein's reception at court turned chilly as a result: sic transit gloria pictoris.