Alejandro Planchart's wide-ranging and distinguished career as composer, conductor and scholar began in Caracas, Venezuela and took him via Yale and Harvard to the University of California, Santa Barbara, where he is now Emeritus Professor. In 1963 he founded an early music ensemble, Cappella Cordina, with whom he issued a pioneering series of recordings of medieval and renaissance music. His book The Repertory of Tropes at Winchester (1977) won the Gustave O. Arlt Award in the Humanities in 1979. In 2006 he received the Howard M. Brown Award from Early Music America and in 2013 he received the Medal of the City of Tours. He was also winner, in 2009, of the Arion Prize from the Cambridge Society for Early Music for his work on Guillaume Du Fay, of which this book is the long-awaited summation.
Inhaltsangabe
Volume I. The Life: List of illustrations List of music examples List of tables Acknowledgments The organization of the Cathedral of Cambrai A note on currency List of abbreviations Prologue 1. Origins and first years (1397-1414) 2. The beginnings of a musician's career (1414-28) 3. The Papal Chapel and the Court of Savoy (1428-39) 4. At the Cathedral of Cambrai (1439-50) 5. The courtier (1450-58) 6. The last years (1458-74) 7. Epilogue: historical aftermath. Volume II. The Works: List of music examples List of tables Acknowledgments A note on currency List of abbreviations 8. Guillermus Du Fay, Musicus 9. Isorhythmic and mensuration motets 10. Cantilena, chant paraphrase, and new-style motets 11. Music for the office 12. Ordinary movements 13. The propers 14. The early mass cycles 15. The late mass cycles 16. The songs Appendices 1. Choristers and singers in Cambrai in the long fifteenth century 2. The Magistri puerorum at Cambrai in the fifteenth century 3. Grammar teachers and Rectores scholarum connected to the Cathedral in the fifteenth century 4. The last will of Guillaume Du Fay and its probate Bibliography Index.
Volume I. The Life: List of illustrations List of music examples List of tables Acknowledgments The organization of the Cathedral of Cambrai A note on currency List of abbreviations Prologue 1. Origins and first years (1397-1414) 2. The beginnings of a musician's career (1414-28) 3. The Papal Chapel and the Court of Savoy (1428-39) 4. At the Cathedral of Cambrai (1439-50) 5. The courtier (1450-58) 6. The last years (1458-74) 7. Epilogue: historical aftermath. Volume II. The Works: List of music examples List of tables Acknowledgments A note on currency List of abbreviations 8. Guillermus Du Fay, Musicus 9. Isorhythmic and mensuration motets 10. Cantilena, chant paraphrase, and new-style motets 11. Music for the office 12. Ordinary movements 13. The propers 14. The early mass cycles 15. The late mass cycles 16. The songs Appendices 1. Choristers and singers in Cambrai in the long fifteenth century 2. The Magistri puerorum at Cambrai in the fifteenth century 3. Grammar teachers and Rectores scholarum connected to the Cathedral in the fifteenth century 4. The last will of Guillaume Du Fay and its probate Bibliography Index.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
