Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity.
Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity.
Linda T. Kaastra has taught courses in cognitive science, music, and discourse studies at the University of British Columbia (UBC) and Simon Fraser University. She earned a PhD from UBC¿s Individual Interdisciplinary Graduate Studies Program.
Inhaltsangabe
Introduction What Is Music? Part I Musical Thought on the Bassoon 1 Ecological Foundations 2 Embodied Musicality Part II Representation 3 Defining a Field of Musical Operations 4 Cognitive Artifacts Part III Conceptualizing Ensemble Performance 5 Dimensions of Variation 6 Domains of Coordination Conclusion Cognition in Orchestral Performance
Introduction What Is Music? Part I Musical Thought on the Bassoon 1 Ecological Foundations 2 Embodied Musicality Part II Representation 3 Defining a Field of Musical Operations 4 Cognitive Artifacts Part III Conceptualizing Ensemble Performance 5 Dimensions of Variation 6 Domains of Coordination Conclusion Cognition in Orchestral Performance
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