Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions.
Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions.
Barbara Alge is Professor in Ethnomusicology at Goethe University Frankfurt/Main, Germany.
Inhaltsangabe
Introduction 1 Festivals and Music as Civilizing Forces in Colonial Minas 2 History as Memory, Heritage, and Brand in Morro Vermelho 3 Sounding the Sacred and Civilized 4 Sounding the Afro Brazilian Resistance 5 Conclusion: Sounding Portugueseness in Southeast Brazil
Introduction 1 Festivals and Music as Civilizing Forces in Colonial Minas 2 History as Memory, Heritage, and Brand in Morro Vermelho 3 Sounding the Sacred and Civilized 4 Sounding the Afro Brazilian Resistance 5 Conclusion: Sounding Portugueseness in Southeast Brazil
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