Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations.
Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations.
Torsa Ghosal is the author of a book of literary criticism, Out of Mind: Mode, Mediation, and Cognition in Twenty-First-Century Narrative, and an experimental novella, Open Couplets, and is the co-editor of Fictionality and Multimodal Narratives. She has a PhD in English from the Ohio State University, where she was awarded a Presidential Fellowship as well as a John Muste Award for best dissertation. Currently, she is Assistant Professor of English at California State University, Sacramento.
Inhaltsangabe
Introduction: Global Literary Studies and Digital Literature Torsa Ghosal I: REIMAGINING DIGITAL LITERARY STUDIES 1. Textual Instability: Paradoxes of Literary Remix Simone Murray 2. Diverse Mappings of Electronic Literature: Expanding the Canon(s) Mariusz Pisarski 3. Ludonarrative Postcolonialism: Re-Playing the Colonial Discourse Souvik Mukherjee II. DIGITAL EMBODIMENTS AND DISABILITIES 4. Games as Critical Literature: Playing with Transhumanism, Embodied Cognition, and Narrative Difference in SOMA Cody Mejeur 5. The Horror of Networked Existence: Affect, Connection, and Anxiety in Classic Creepypasta Narratives Sara Bimo 6. Networked Chronic Pain Narratives: Locating Disability through Fibromyalgia Facebook Community Rimi Nandy III. FORMS OF RESISTANCE 7. The Erasing Impulse: Veiling and Unveiling the Poetic and the Political Álvaro Seiça 8. Digital Cartoons: Collaborative Activism in Hong Kong Kin Wai Chu 9. Between Two Screens: The January 25th Revolution in Egypt Reham Hosny 10. 'If this document is authentic': On Bill Bly's Archival Fiction Brian Davis IV. MEDIAL AND CULTURAL CROSSINGS 11. From Oral to Digital and Back: Adinkra Symbols and Kweku Ananse on YouTube J.B. Amissah-Arthur and Kwabena Opoku-Agyemang 12. Bending Voices, Opening Ears: Voice, Music, Sound, and Affect in Digital Literature Hazel Smith 13. Intermedial Experience and Discursive Voice in Printed Text, Audiobook, and Podcast: H. P. Lovecraft's "The Statement of Randolph Carter" Jarkko Toikkanen and Mari Hatavara
Introduction: Global Literary Studies and Digital Literature Torsa Ghosal I: REIMAGINING DIGITAL LITERARY STUDIES 1. Textual Instability: Paradoxes of Literary Remix Simone Murray 2. Diverse Mappings of Electronic Literature: Expanding the Canon(s) Mariusz Pisarski 3. Ludonarrative Postcolonialism: Re-Playing the Colonial Discourse Souvik Mukherjee II. DIGITAL EMBODIMENTS AND DISABILITIES 4. Games as Critical Literature: Playing with Transhumanism, Embodied Cognition, and Narrative Difference in SOMA Cody Mejeur 5. The Horror of Networked Existence: Affect, Connection, and Anxiety in Classic Creepypasta Narratives Sara Bimo 6. Networked Chronic Pain Narratives: Locating Disability through Fibromyalgia Facebook Community Rimi Nandy III. FORMS OF RESISTANCE 7. The Erasing Impulse: Veiling and Unveiling the Poetic and the Political Álvaro Seiça 8. Digital Cartoons: Collaborative Activism in Hong Kong Kin Wai Chu 9. Between Two Screens: The January 25th Revolution in Egypt Reham Hosny 10. 'If this document is authentic': On Bill Bly's Archival Fiction Brian Davis IV. MEDIAL AND CULTURAL CROSSINGS 11. From Oral to Digital and Back: Adinkra Symbols and Kweku Ananse on YouTube J.B. Amissah-Arthur and Kwabena Opoku-Agyemang 12. Bending Voices, Opening Ears: Voice, Music, Sound, and Affect in Digital Literature Hazel Smith 13. Intermedial Experience and Discursive Voice in Printed Text, Audiobook, and Podcast: H. P. Lovecraft's "The Statement of Randolph Carter" Jarkko Toikkanen and Mari Hatavara
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