Drawing on original manuscripts and Victorian psychological theory, this study shows that George Eliot was an author who shaped her sentences as carefully as she wanted her public to read them.
Drawing on original manuscripts and Victorian psychological theory, this study shows that George Eliot was an author who shaped her sentences as carefully as she wanted her public to read them.
Preface Introduction A Note on the Text PART ONE: 'THE UTMOST INTRICACIES OF THE SOUL'S PATHWAYS'--SYNTAX AND INDIVIDUALITY Listening for the 'Strain of Solemn Music' in 'The Mill on the Floss' Awakening the 'Mere Pulsation of Desire' in 'Silas Marner' 'Romola' and the 'Pain of Resistance' Hearing the Many Whispers 'in the Roar of Hurrying Existence' in 'Felix Holt, The Radical' PART TWO: 'THE MERCY OF THOSE SORROWS'--SYNTAX AND SYMPATHY The Initial 'Transformation of Pain into Sympathy' in 'Adam Bede' 'The View Which the Mind Takes of a Thing' in Anthony Trollope's 'The Small House at Allington' 'Middlemarch' and the Struggle with the 'Equivalent Centre of Self' Developing the 'Outer Conscience' in 'Daniel Deronda' Notes Bibliography Index
Preface Introduction A Note on the Text PART ONE: 'THE UTMOST INTRICACIES OF THE SOUL'S PATHWAYS'--SYNTAX AND INDIVIDUALITY Listening for the 'Strain of Solemn Music' in 'The Mill on the Floss' Awakening the 'Mere Pulsation of Desire' in 'Silas Marner' 'Romola' and the 'Pain of Resistance' Hearing the Many Whispers 'in the Roar of Hurrying Existence' in 'Felix Holt, The Radical' PART TWO: 'THE MERCY OF THOSE SORROWS'--SYNTAX AND SYMPATHY The Initial 'Transformation of Pain into Sympathy' in 'Adam Bede' 'The View Which the Mind Takes of a Thing' in Anthony Trollope's 'The Small House at Allington' 'Middlemarch' and the Struggle with the 'Equivalent Centre of Self' Developing the 'Outer Conscience' in 'Daniel Deronda' Notes Bibliography Index
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