The essays in this collection provide new interpretations of the geographic dimensions of early modern embodiment, emphasizing the transactional and dynamic aspects of the relationship between body and world.
The essays in this collection provide new interpretations of the geographic dimensions of early modern embodiment, emphasizing the transactional and dynamic aspects of the relationship between body and world.
Professor Mary Floyd-Wilson teaches in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. She is the author of English Ethnicity and Race in Early Modern Drama and Occult Knowledge, Science, and Gender on the Shakespearean Stage. She has co-edited with Garrett A. Sullivan, Jr. the essay collection Environment and Embodiment in Early Modern England and Reading the Early Modern Passions: Essays in the Cultural History of Emotion with Gail Kern Paster and Katherine Rowe. She and Darryl Chalk have co-edited the forthcoming volume Contagion and the Shakespearean Stage, and she is currently writing a book about the early modern English devil. Professor Garrett A. Sullivan, Jr. teaches in the Department of English at Pennsylvania State University. He is the author of The Drama of Landscape: Land, Property and Social Relations on the Early Modern Stage; Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster; and Sleep, Romance and Human Embodiment: Vitality from Spenser to Milton. With Mary Floyd-Wilson, he has co-edited Environment and Embodiment in Early Modern England. He co-edits with Julie Sanders the Oxford University Press book series Early Modern Literary Geographies.
Inhaltsangabe
* 1: Mary Floyd-Wilson and Garrett A. Sullivan Jr.: Introduction * 2: Michael Schoenfeldt: How gardens feel: The natural history of sensation in Spenser and Milton * 3: Jonathan Gil Harris: Hi mho ji kudd: The transformation of Thomas Stephens in Goa * 4: Valerie Traub: Anatomy, cartography, and the new world body * 5: John Sutton: Place and memory: History, cognition, phenomenology * 6: Mary Thomas Crane: Meteorology, embodiment, and environment in Shakespeare's A Midsummer Night's Dream * 7: Kristen Poole: "My hand would dissolve, or seem to melt": Poetic dissolution and Stoic cosmology * 8: Julian Yates: Passions of the flock * 9: Elizabeth D. Harvey: Speaking (of) faces: The gestural body in Measure for Measure * 10: Garrett A. Sullivan Jr.: Sleeping in error in Spenser's Faerie Queene, book 1 * 11: Mary Floyd-Wilson: The habitation of airy nothings in A Midsummer Night's Dream * 12: Gail Kern Paster: Afterword
* 1: Mary Floyd-Wilson and Garrett A. Sullivan Jr.: Introduction * 2: Michael Schoenfeldt: How gardens feel: The natural history of sensation in Spenser and Milton * 3: Jonathan Gil Harris: Hi mho ji kudd: The transformation of Thomas Stephens in Goa * 4: Valerie Traub: Anatomy, cartography, and the new world body * 5: John Sutton: Place and memory: History, cognition, phenomenology * 6: Mary Thomas Crane: Meteorology, embodiment, and environment in Shakespeare's A Midsummer Night's Dream * 7: Kristen Poole: "My hand would dissolve, or seem to melt": Poetic dissolution and Stoic cosmology * 8: Julian Yates: Passions of the flock * 9: Elizabeth D. Harvey: Speaking (of) faces: The gestural body in Measure for Measure * 10: Garrett A. Sullivan Jr.: Sleeping in error in Spenser's Faerie Queene, book 1 * 11: Mary Floyd-Wilson: The habitation of airy nothings in A Midsummer Night's Dream * 12: Gail Kern Paster: Afterword
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