Offers a fresh approach to German film studies by tracing key genres -- including horror, the thriller, Heimat films, and war films -- over the course of German cinema history
Offers a fresh approach to German film studies by tracing key genres -- including horror, the thriller, Heimat films, and war films -- over the course of German cinema history
Introduction: Toward Generic Histories - Film Genre, Genre Theory, and German Film Studies Parallel Modernities: From Haunted Screen to Universal Horror The Essay Film and Its German Variations The Limits of Futurity: German Science-Fiction Film over the Course of Time The Situation Is Hopeless, but Not Desperate: UFA's Early Sound Film Musicals Resisting the War (Film): Wicki's "Masterpiece" Die Brücke and Its Generic Transformations Ironizing Identity: The German Crime Genre and the Edgar Wallace Production Trend of the 1960s From Siodmak to Schlingensief: The Return of History as Horror Producing Adaptations: Bernd Eichinger, Christiane F., and German Film History Exceptional Thrills: Genrification, Dr. Mabuse, and Das Experiment The Heimat Film in the Twenty-First Century: Negotiating the New German Cinema to Return to Papas Kino The Romantic Comedy and Its Other: Representations of Romance in German Cinema since 1990 Yearning for Genre: The Films of Dominik Graf Bibliography Notes on the Contributors Index
Introduction: Toward Generic Histories - Film Genre, Genre Theory, and German Film Studies Parallel Modernities: From Haunted Screen to Universal Horror The Essay Film and Its German Variations The Limits of Futurity: German Science-Fiction Film over the Course of Time The Situation Is Hopeless, but Not Desperate: UFA's Early Sound Film Musicals Resisting the War (Film): Wicki's "Masterpiece" Die Brücke and Its Generic Transformations Ironizing Identity: The German Crime Genre and the Edgar Wallace Production Trend of the 1960s From Siodmak to Schlingensief: The Return of History as Horror Producing Adaptations: Bernd Eichinger, Christiane F., and German Film History Exceptional Thrills: Genrification, Dr. Mabuse, and Das Experiment The Heimat Film in the Twenty-First Century: Negotiating the New German Cinema to Return to Papas Kino The Romantic Comedy and Its Other: Representations of Romance in German Cinema since 1990 Yearning for Genre: The Films of Dominik Graf Bibliography Notes on the Contributors Index
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