This work presents a new understanding of the way that classic works of Japanese literature have been received and understood within the framework of national literature studies in Japan.
This work presents a new understanding of the way that classic works of Japanese literature have been received and understood within the framework of national literature studies in Japan.
Tomiko Yoda is Associate Professor in the Department of Asian and African Languages and the Program in Literature at Duke University.
Inhaltsangabe
Acknowledgments ix Note to the Reader Introduction 1 1. The Feminization of Heian and Eighteenth-Century Poetics 25 2. Gender and the Nationalization of Literature 41 3. Women and the Emergence of Heian Kana Writing 81 4. Politics and Poetics in The Tale of Genji 111 5. Tokieda’s Imperial Subject and the textual Turn in Heian Literary Studies 146 6. Gender and Heian Narrative Form 182 Epilogue: Heian Texts and Feminist Subjects 214 Notes 231 Bibliography 261 Index 269
Acknowledgments ix Note to the Reader Introduction 1 1. The Feminization of Heian and Eighteenth-Century Poetics 25 2. Gender and the Nationalization of Literature 41 3. Women and the Emergence of Heian Kana Writing 81 4. Politics and Poetics in The Tale of Genji 111 5. Tokieda’s Imperial Subject and the textual Turn in Heian Literary Studies 146 6. Gender and Heian Narrative Form 182 Epilogue: Heian Texts and Feminist Subjects 214 Notes 231 Bibliography 261 Index 269
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