Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black art to outline the distinct utopian desire directed at the moment when pain vanishes from the body and mind, bringing with it a form of being that is free of the violence that has consumed blackness.
Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black art to outline the distinct utopian desire directed at the moment when pain vanishes from the body and mind, bringing with it a form of being that is free of the violence that has consumed blackness.
Acknowledgments ix Introduction. Black Beyondness 1 1. Toni Morrison’s Anachronic Ease 33 2. Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life 62 3. Black Audio’s Archival Flight 99 4. Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde 132 5. Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air 172 Coda. Fugitive Ether 205 Notes 209 Bibliography 239 Index 259
Acknowledgments ix Introduction. Black Beyondness 1 1. Toni Morrison’s Anachronic Ease 33 2. Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life 62 3. Black Audio’s Archival Flight 99 4. Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde 132 5. Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air 172 Coda. Fugitive Ether 205 Notes 209 Bibliography 239 Index 259
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