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This book explores the historical-cultural interactions between French concert music and American jazz across 1900-65, from both perspectives.

Produktbeschreibung
This book explores the historical-cultural interactions between French concert music and American jazz across 1900-65, from both perspectives.
Autorenporträt
Deborah Mawer is Research Professor of Music at Birmingham Conservatoire, Birmingham City University. Her books include The Ballets of Maurice Ravel: Creation and Interpretation (2006), Darius Milhaud: Modality and Structure in Music of the 1920s (1997), Ravel Studies (Cambridge, 2010) and The Cambridge Companion to Ravel (Cambridge, 2000). Her articles and reviews, also encompassing jazz and dance, have appeared in a variety of books and journals, including the Journal of the Royal Musical Association, Twentieth-Century Music, Music and Letters, Opera Quarterly, Music Theory Online and Music Analysis. In 2008 she was awarded a prestigious National Teaching Fellowship.