Frank Duveneck
American Master
Herausgeber: Aronson, Julie
Frank Duveneck
American Master
Herausgeber: Aronson, Julie
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A fresh look at the work of Frank Duveneck (1848-1919), one of the most celebrated American artists of the Gilded Age.
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A fresh look at the work of Frank Duveneck (1848-1919), one of the most celebrated American artists of the Gilded Age.
Produktdetails
- Produktdetails
- Verlag: Giles
- Seitenzahl: 280
- Erscheinungstermin: 17. November 2020
- Englisch
- Abmessung: 284mm x 246mm x 30mm
- Gewicht: 1882g
- ISBN-13: 9781911282648
- ISBN-10: 1911282646
- Artikelnr.: 58348517
- Verlag: Giles
- Seitenzahl: 280
- Erscheinungstermin: 17. November 2020
- Englisch
- Abmessung: 284mm x 246mm x 30mm
- Gewicht: 1882g
- ISBN-13: 9781911282648
- ISBN-10: 1911282646
- Artikelnr.: 58348517
Julie Aronson is curator of American Paintings, Sculpture and Drawings, Cincinnati Art Museum. Barbara Gallati is curator emerita of American Art, Brooklyn Museum. Sarah Burns is Ruth N. Halls Professor, Department of Art History, Indiana University. André Dombrowski is associate professor, History of Art Department, University of Pennsylvania. Elizabeth A. Simmons is curatorial research assistant, Cincinnati Art Museum. Kristin L. Spangenberg is curator of Prints, Cincinnati Art Museum. Colm Tóibín is an award-winning novelist, short story writer, essayist, playwright, journalist, critic, and poet, and currenlty Irene and Sidney B. Silverman Professor of the Humanities, Department of English and Comparative Literature, Columbia University. He is the author of, most recently, Mad, Bad, Dangerous to Know: The Fathers of Wilde, Yeats and Joyce, (2018) and Brooklyn (2009), and co-author of Henry James and American Painting, (2017).
Director's Foreword by Cameron Kitchin; Acknowledgments by Julie Aronson
Introduction by Barbara Gallati
Essay 1: Julie Aronson, Reckoning with Duveneck's Reputation
Essay 2: André Dombrowski, "Everything is Moist:" Frank Duveneck and
Munich's Painterly Realism
Essay 3: Sarah Burns, A Dangerous Class of Painting: Ugliness, Masculinity,
and the Munich Style in Gilded Age America
Essay 4: Colm Toíbín, Frank Duveneck and Henry James
Essay 5: Kristin Spangenberg, Duveneck as Printmaker
Essay 6: Elizabeth Simmons, Discovering Frank Duveneck's Drawings
Main Catalogue: 130 Plates of artworks
Notes
Brief captions
Illustrated Chronology, by Elizabeth Simmons
Selected Bibliography
Photo Credits
Index
Introduction by Barbara Gallati
Essay 1: Julie Aronson, Reckoning with Duveneck's Reputation
Essay 2: André Dombrowski, "Everything is Moist:" Frank Duveneck and
Munich's Painterly Realism
Essay 3: Sarah Burns, A Dangerous Class of Painting: Ugliness, Masculinity,
and the Munich Style in Gilded Age America
Essay 4: Colm Toíbín, Frank Duveneck and Henry James
Essay 5: Kristin Spangenberg, Duveneck as Printmaker
Essay 6: Elizabeth Simmons, Discovering Frank Duveneck's Drawings
Main Catalogue: 130 Plates of artworks
Notes
Brief captions
Illustrated Chronology, by Elizabeth Simmons
Selected Bibliography
Photo Credits
Index
Director's Foreword by Cameron Kitchin; Acknowledgments by Julie Aronson
Introduction by Barbara Gallati
Essay 1: Julie Aronson, Reckoning with Duveneck's Reputation
Essay 2: André Dombrowski, "Everything is Moist:" Frank Duveneck and
Munich's Painterly Realism
Essay 3: Sarah Burns, A Dangerous Class of Painting: Ugliness, Masculinity,
and the Munich Style in Gilded Age America
Essay 4: Colm Toíbín, Frank Duveneck and Henry James
Essay 5: Kristin Spangenberg, Duveneck as Printmaker
Essay 6: Elizabeth Simmons, Discovering Frank Duveneck's Drawings
Main Catalogue: 130 Plates of artworks
Notes
Brief captions
Illustrated Chronology, by Elizabeth Simmons
Selected Bibliography
Photo Credits
Index
Introduction by Barbara Gallati
Essay 1: Julie Aronson, Reckoning with Duveneck's Reputation
Essay 2: André Dombrowski, "Everything is Moist:" Frank Duveneck and
Munich's Painterly Realism
Essay 3: Sarah Burns, A Dangerous Class of Painting: Ugliness, Masculinity,
and the Munich Style in Gilded Age America
Essay 4: Colm Toíbín, Frank Duveneck and Henry James
Essay 5: Kristin Spangenberg, Duveneck as Printmaker
Essay 6: Elizabeth Simmons, Discovering Frank Duveneck's Drawings
Main Catalogue: 130 Plates of artworks
Notes
Brief captions
Illustrated Chronology, by Elizabeth Simmons
Selected Bibliography
Photo Credits
Index