Francesca Woodman and the Kantian Sublime - Raymond, Claire
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In her feminist inquiry into aesthetics and the gender dynamics of the Kantian sublime, Claire Raymond studies the photography of Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists such as Julia Margaret Cameron and Clementina Viscountess Hawarden, Raymond moves beyond biographical interpretations of Woodman's self-portraits. Rather, Woodman is revealed as a conceptually sophisticated artist whose work engages with debates about Enlightenment aesthetics, and the gendering and engendering of the sublime.

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Produktbeschreibung
In her feminist inquiry into aesthetics and the gender dynamics of the Kantian sublime, Claire Raymond studies the photography of Francesca Woodman (1958-1981). Placing Woodman in a lineage of women artists such as Julia Margaret Cameron and Clementina Viscountess Hawarden, Raymond moves beyond biographical interpretations of Woodman's self-portraits. Rather, Woodman is revealed as a conceptually sophisticated artist whose work engages with debates about Enlightenment aesthetics, and the gendering and engendering of the sublime.
Autorenporträt
Claire Raymond teaches in the Studies in Women and Gender Program at the University of Virginia, Charlottesville, USA