Fixing the Musical - Reside, Douglas L. (Lewis and Dorothy Cullman Curator, Lewis and Dor
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Fixing the Musical argues that musicals we most remember, the titles that have become canonical, are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway.

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Produktbeschreibung
Fixing the Musical argues that musicals we most remember, the titles that have become canonical, are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway.
Autorenporträt
Doug Reside is the Curator of the Billy Rose Theatre Division. He joined NYPL in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He has published and spoken on topics related to theater history, literature, and digital humanities, and has managed several large grant-funded projects on these topics. He holds a PhD in English from the University of Kentucky.