This new book investigates the relationship of film to history, power, memory, and cultural citizenship and considers ways in which cultural expression and identity expressed through film serve to create notions of belonging, group identity, and entitlement within modern societies
This new book investigates the relationship of film to history, power, memory, and cultural citizenship and considers ways in which cultural expression and identity expressed through film serve to create notions of belonging, group identity, and entitlement within modern societies
Tina Mae Chen is Associate Professor of History at the University of Manitoba, Canada, and co-ordinator of the Interdisciplinary Research Circle on Globalization and Cosmopolitanism. David S. Churchill is Assistant Professor of US History at the University of Manitoba, Canada, and co-ordinator of the Interdisciplinary Research Circle on Globalization and Cosmopolitanism.
Inhaltsangabe
Acknowledgements 1. Film History and Cultural Citizenship: An Introduction Tina Mai Chen and David S. Churchill Section I: Producing National and Transnational Imaginaries 1. Negotiating Mobile Subjectivities: Costume Play Landscape and Belonging in the Colonial Road Movies of Shimizu Hiroshi Sharon Hayashi 2. Moore's Utopia: Canada in the Cinematic Imagination of Michael Moore David S. Churchill 3. Seeing Beneath the Veil: Saira Shah and the Problems of Documentary Nima Naghibi 4. Textual Communities and Localized Practices of Film in Maoist China Tina Mai Chen 5. Transnational Communities of Affinity: Patricio Guzmán's The Pinochet Case Macarena Gómez-Barris Section II: Historical Feeling in the Sites of Production 6. Moving Intimacy: The Betrayals of a Mother called Yesterday a Child called Beauty and a Father called John Khumalo Neville Hoad 7. Queer Grit: Jane West Rides Through the Violence of the Hollywood Western Roewan Crowe 8. Violence Gender and Community in Atanarjuat Peter Kulchyski 9. Memory Affect and Personal Modernity: Now Voyager and the Second World War Brenda Austin-Smith Section III: The Culture of Film and the Production of History 10. Alterity Activism and the Articulation of Gendered Cinemascapes in Canadian Indian Country Kathleen Buddle 11. The Battle of Algiers: Pentagon Edition John Mowitt 12. Jacob the Liar and Historical Truth in Berlin and Hollywood Cheryl Dueck 13. Abderrahmane Sissako: Les Lieux Provisoires of Transnational Cinema Michelle Stewart Contributors
Acknowledgements 1. Film History and Cultural Citizenship: An Introduction Tina Mai Chen and David S. Churchill Section I: Producing National and Transnational Imaginaries 1. Negotiating Mobile Subjectivities: Costume Play Landscape and Belonging in the Colonial Road Movies of Shimizu Hiroshi Sharon Hayashi 2. Moore's Utopia: Canada in the Cinematic Imagination of Michael Moore David S. Churchill 3. Seeing Beneath the Veil: Saira Shah and the Problems of Documentary Nima Naghibi 4. Textual Communities and Localized Practices of Film in Maoist China Tina Mai Chen 5. Transnational Communities of Affinity: Patricio Guzmán's The Pinochet Case Macarena Gómez-Barris Section II: Historical Feeling in the Sites of Production 6. Moving Intimacy: The Betrayals of a Mother called Yesterday a Child called Beauty and a Father called John Khumalo Neville Hoad 7. Queer Grit: Jane West Rides Through the Violence of the Hollywood Western Roewan Crowe 8. Violence Gender and Community in Atanarjuat Peter Kulchyski 9. Memory Affect and Personal Modernity: Now Voyager and the Second World War Brenda Austin-Smith Section III: The Culture of Film and the Production of History 10. Alterity Activism and the Articulation of Gendered Cinemascapes in Canadian Indian Country Kathleen Buddle 11. The Battle of Algiers: Pentagon Edition John Mowitt 12. Jacob the Liar and Historical Truth in Berlin and Hollywood Cheryl Dueck 13. Abderrahmane Sissako: Les Lieux Provisoires of Transnational Cinema Michelle Stewart Contributors
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