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Covering over 100 feature films in critical depth and detail, this reader provides an excellent introduction to American genre filmmaking since 1990. These previously unpublished essays by prominent film scholars each address a different film genre -- from science fiction to romance to '90s noir -- as well as the ways in which genre filmmaking as a whole has been changed by the new technologies and market forces that are shaping the future of cinema. One of the peculiar aspects of recent American genre filmmaking is its apparent facelessness, its desire to subsume itself into the larger…mehr

Produktbeschreibung
Covering over 100 feature films in critical depth and detail, this reader provides an excellent introduction to American genre filmmaking since 1990. These previously unpublished essays by prominent film scholars each address a different film genre -- from science fiction to romance to '90s noir -- as well as the ways in which genre filmmaking as a whole has been changed by the new technologies and market forces that are shaping the future of cinema. One of the peculiar aspects of recent American genre filmmaking is its apparent facelessness, its desire to subsume itself into the larger framework of genre cinema, and not to identify each film as a unique exemplar. What this book argues, among other things, is that the implicit message in contemporary genre films is rarely that which is signified by a film's external or even internal narrative structure. What drives the thematic and structural concerns of recent genre cinema is the recovery of initial investment, made all the more pressing by the fact that each film released theatrically now represents an investment of many millions of dollars.
Autorenporträt
Wheeler Winston Dixon is Chairperson of the Film Studies Program and Professor of English at the University of Nebraska, Lincoln. He is the author of many books, including most recently The Second Century of Cinema: The Past and Future of the Moving Image; The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema; The Films of Jean-Luc Godard ; and The Transparency of Spectacle: Meditations on the Moving Image, all published by SUNY Press.