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Film as Embodied Art reveals Stanley Kubrick as a genuine master of the art of embodying the mental life of characters, a filmmaker who perhaps more than any other director, uses all the resources of film making in such a controlled and dense manner as to elicit the embodied conditions necessary to achieve a level of conceptual depth.

Produktbeschreibung
Film as Embodied Art reveals Stanley Kubrick as a genuine master of the art of embodying the mental life of characters, a filmmaker who perhaps more than any other director, uses all the resources of film making in such a controlled and dense manner as to elicit the embodied conditions necessary to achieve a level of conceptual depth.
Autorenporträt
Maarten Coëgnarts holds a PhD in Film Studies and Visual Culture and an MA in Sociology (University of Antwerp). Since 2010 he has researched the interplay between metaphor, image schemas, and cinema. The results have been published in various peer-reviewed journals such as Metaphor and Symbol, New Review of Film and Television Studies and Projections. He is also co-editor of the book Embodied Cognition and Cinema (Leuven University Press, 2015).