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Cultural Writing. Film Studies. Having already published collections of critical essays on fiction, poetry, performance, politics and visual art, Richard Kostelanetz for the first time selects here from his writings on film and video. As in earlier volumes, these essays emphasize the primacy of possibilities intrinsic in each medium. Always representing radical alternatives, he writes with uncommon perception not only about familiar issues but about films customarily forgotten, and always with his customary clarity. Also included are prefaces and transcripts from his own films and videos.

Produktbeschreibung
Cultural Writing. Film Studies. Having already published collections of critical essays on fiction, poetry, performance, politics and visual art, Richard Kostelanetz for the first time selects here from his writings on film and video. As in earlier volumes, these essays emphasize the primacy of possibilities intrinsic in each medium. Always representing radical alternatives, he writes with uncommon perception not only about familiar issues but about films customarily forgotten, and always with his customary clarity. Also included are prefaces and transcripts from his own films and videos.
Autorenporträt
Richard Kostelanetz is a prolific author, critic, editor, and artist. Since the 1960s he has written and edited close to one hundred books, including Imaged Words and Worded Images (1970), Breakthrough Fictioneers (1973), Text-Sound Texts (1980), Wordworks (1993) and the monumental Dictionary of the Avant-Gardes (2nd ed., 1999).