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At Pangeston (at Domesday, 1086), then Pengeston, Peniston, Penistone (Pen, Celtic for hill, here the great ridge between the Don and the Little Don), the highest market town in England, seen by any train traveller heading in and out of town on the 29 arch viaduct over the River Don: a field: through its creation (form) and its maintenance (labour), a field is, and has been since Neolithic succeeded Paleolithic times, a place where land and human meet, a meeting which originated with the clearing of the ground, the woodland and the animals, to create O.E. feld probably related to O.E. folde: "earth, land," from P.Gmc.: "plain, open land" (OED).…mehr

Produktbeschreibung
At Pangeston (at Domesday, 1086), then Pengeston, Peniston, Penistone (Pen, Celtic for hill, here the great ridge between the Don and the Little Don), the highest market town in England, seen by any train traveller heading in and out of town on the 29 arch viaduct over the River Don: a field: through its creation (form) and its maintenance (labour), a field is, and has been since Neolithic succeeded Paleolithic times, a place where land and human meet, a meeting which originated with the clearing of the ground, the woodland and the animals, to create O.E. feld probably related to O.E. folde: "earth, land," from P.Gmc.: "plain, open land" (OED).
Autorenporträt
Harriet Tarlo's publications include Poems 2004-2014; Poems 1990-2003 (Shearsman 2014, 2004); Nab (etruscan 2005) and, with Judith Tucker, Sound Unseen and behind land (Wild Pansy, 2013 and 2015). She is editor of The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman, 2011). Critical work appears in volumes by Salt, Palgrave, Rodopi and Bloodaxe and in Pilot, Jacket, English and the Journal of Ecocriticism. Her collaborative work with Tucker has shown at galleries in Southampton; Minneapolis; Grimsby; Lyon and Cambridge. She is currently working on a collaborative project on the East coast of England. She is a Reader in Creative Writing at Sheffield Hallam University.