This studyconsiders the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual experimentation.
This studyconsiders the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual experimentation.
Renee Dickinson is an Assistant Professor at Radford University.
Inhaltsangabe
Permissions Acknowledgments Introduction: Articulating the Corporeum: Formulating the Feminine and Illuminating the Images of Physical, Geographical, National and Textual Embodiment Chapter One: The Shape of Modernism: Female Embodiment and Textual Experimentation in Mrs. Dalloway Chapter Two: Exposure and Development: Re-Imagining Narrative and Nation in the Interludes of Virginia Woolf's The Waves Chapter Three: Modernist Con(Tra)Ceptions: Re-Conceiving Body and Text in Olive Moore's Spleen Chapter Four: Flight of the Feminine and Textual Orientation in Olive Moore's Fugue Epilogue: Feminine Form and Textual Reform Appendix Notes Bibliography Index
Permissions Acknowledgments Introduction: Articulating the Corporeum: Formulating the Feminine and Illuminating the Images of Physical, Geographical, National and Textual Embodiment Chapter One: The Shape of Modernism: Female Embodiment and Textual Experimentation in Mrs. Dalloway Chapter Two: Exposure and Development: Re-Imagining Narrative and Nation in the Interludes of Virginia Woolf's The Waves Chapter Three: Modernist Con(Tra)Ceptions: Re-Conceiving Body and Text in Olive Moore's Spleen Chapter Four: Flight of the Feminine and Textual Orientation in Olive Moore's Fugue Epilogue: Feminine Form and Textual Reform Appendix Notes Bibliography Index
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