Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links: the body, fabric and space, which are central to understanding the relationship between interior design and fashion. The essays combine a wide range of challenging new examples alongside powerful revisionary analyses of significant objects from the various periods, artists and designers discussed.
Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links: the body, fabric and space, which are central to understanding the relationship between interior design and fashion. The essays combine a wide range of challenging new examples alongside powerful revisionary analyses of significant objects from the various periods, artists and designers discussed.
Alla Myzelev is an Assistant Professor of Art History at the University of Guelph, Canada. She has published on the relationship between Russian and Ukrainian avant-garde and craft, the role of women in the Arts and Crafts Movement as well as the representation of material culture in museums and private collections. John Potvin is Associate Professor of European Art and Design History at the University of Guelph, Canada. He is the author of Material and Visual Cultures Beyond Male Bonding, 1880-1914: Bodies, Boundaries and Intimacy (2008) and editor of The Places and Spaces of Fashion, 1800-2007 (2009).
Inhaltsangabe
Contents: The velvet masquerade: fashion interior design and the furnished body John Potvin; Crafting queer spaces: privacy and posturing Peter McNeil; 'She weaves by night and day a magic web with colours gay': trapped in the gesamtkunstwerk or the dangers of unifying dress and interiors Anne Anderson; Structure cladding and detail: the role of textiles in the associations between identity the interior and dress 1860-1920 Clive Edwards; Translating textiles: 'private palaces' and the Celtic fringe 1890-1910 Janice Helland; Decadent decors and torturous textiles: fatal fashions and interior design in the fin-de-siècle novels of Rachilde Heidi Brevik-Zender; Chinese robes in western interiors: transitionality and transformation Sarah Cheang; Modernism orientalism craft: French couture and the early furniture of Eileen Gray Joseph McBrinn; Furnish the land of my dreams: life and theatre of Louise and Frederick Coates Alla Myzelev; Designing sapphic modernity: fashioning spaces and subjects Jasmine Rault; Framing the modern woman: Elsie de Wolfe from clothes horse to interior decorator Penney Sparke; Cross-dressing fashion and furniture: Giorgio Armani orientalism and nostalgia John Potvin; Index.
Contents: The velvet masquerade: fashion interior design and the furnished body John Potvin; Crafting queer spaces: privacy and posturing Peter McNeil; 'She weaves by night and day a magic web with colours gay': trapped in the gesamtkunstwerk or the dangers of unifying dress and interiors Anne Anderson; Structure cladding and detail: the role of textiles in the associations between identity the interior and dress 1860-1920 Clive Edwards; Translating textiles: 'private palaces' and the Celtic fringe 1890-1910 Janice Helland; Decadent decors and torturous textiles: fatal fashions and interior design in the fin-de-siècle novels of Rachilde Heidi Brevik-Zender; Chinese robes in western interiors: transitionality and transformation Sarah Cheang; Modernism orientalism craft: French couture and the early furniture of Eileen Gray Joseph McBrinn; Furnish the land of my dreams: life and theatre of Louise and Frederick Coates Alla Myzelev; Designing sapphic modernity: fashioning spaces and subjects Jasmine Rault; Framing the modern woman: Elsie de Wolfe from clothes horse to interior decorator Penney Sparke; Cross-dressing fashion and furniture: Giorgio Armani orientalism and nostalgia John Potvin; Index.
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