Reginald R. Gerig
Famous Pianists and Their Technique, New Edition
Reginald R. Gerig
Famous Pianists and Their Technique, New Edition
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A fascinating look at the technique of world-renowned pianists from the last two centuries
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A fascinating look at the technique of world-renowned pianists from the last two centuries
Produktdetails
- Produktdetails
- Verlag: Indiana University Press
- New Edition
- Seitenzahl: 640
- Erscheinungstermin: 26. April 2007
- Englisch
- Abmessung: 232mm x 164mm x 38mm
- Gewicht: 940g
- ISBN-13: 9780253348555
- ISBN-10: 0253348552
- Artikelnr.: 21828241
- Verlag: Indiana University Press
- New Edition
- Seitenzahl: 640
- Erscheinungstermin: 26. April 2007
- Englisch
- Abmessung: 232mm x 164mm x 38mm
- Gewicht: 940g
- ISBN-13: 9780253348555
- ISBN-10: 0253348552
- Artikelnr.: 21828241
Reginald R. Gerig
Foreword by Alan Walker
Preface and Acknowledgments
1. The Meaning of Technique
2. The Early Clavier Methods
3. The Beginnings of the Piano
4. Mozart and the Early Piano Technique
5. Hummel: The Culmination of the Viennese Era
6. The Dynamic Beethoven Technique
7. Czerny: Technique Personified
8. The Early Methodology
9. The Lyricism of Chopin
10. Liszt and Virtuoso Technique
11. The Schumann Circle
12. The Beginnings of Modern Technical Methods
13. The Leschetizky Influence
14. Russian Nationalism
15. The French School
16. Breithaupt and Weight Technique
17. The English School: Matthay; His Pupils and Colleagues
18. Ortmann: Piano Technique Comes of Age
19. Contemporary Technical Thought
20. The Perspectives of an Enlightened Piano Technique
Appendices
1. The Aesthetic Imperative
2. Mental and Psychological Control
3. An Intellectual Grasp of Basic Technical Knowledge
4. Isolated Movements
5. Coordinated Movements
6. Muscular Coordination
7. The Kinesthetic Sense
8. Posture
9. Means for Specific Technical Development
10. Historical Concepts and Perspectives of Piano Technical Thought
11. Supplementary Bibliography
Bibliography
Glossary
Index
Preface and Acknowledgments
1. The Meaning of Technique
2. The Early Clavier Methods
3. The Beginnings of the Piano
4. Mozart and the Early Piano Technique
5. Hummel: The Culmination of the Viennese Era
6. The Dynamic Beethoven Technique
7. Czerny: Technique Personified
8. The Early Methodology
9. The Lyricism of Chopin
10. Liszt and Virtuoso Technique
11. The Schumann Circle
12. The Beginnings of Modern Technical Methods
13. The Leschetizky Influence
14. Russian Nationalism
15. The French School
16. Breithaupt and Weight Technique
17. The English School: Matthay; His Pupils and Colleagues
18. Ortmann: Piano Technique Comes of Age
19. Contemporary Technical Thought
20. The Perspectives of an Enlightened Piano Technique
Appendices
1. The Aesthetic Imperative
2. Mental and Psychological Control
3. An Intellectual Grasp of Basic Technical Knowledge
4. Isolated Movements
5. Coordinated Movements
6. Muscular Coordination
7. The Kinesthetic Sense
8. Posture
9. Means for Specific Technical Development
10. Historical Concepts and Perspectives of Piano Technical Thought
11. Supplementary Bibliography
Bibliography
Glossary
Index
Foreword by Alan Walker
Preface and Acknowledgments
1. The Meaning of Technique
2. The Early Clavier Methods
3. The Beginnings of the Piano
4. Mozart and the Early Piano Technique
5. Hummel: The Culmination of the Viennese Era
6. The Dynamic Beethoven Technique
7. Czerny: Technique Personified
8. The Early Methodology
9. The Lyricism of Chopin
10. Liszt and Virtuoso Technique
11. The Schumann Circle
12. The Beginnings of Modern Technical Methods
13. The Leschetizky Influence
14. Russian Nationalism
15. The French School
16. Breithaupt and Weight Technique
17. The English School: Matthay; His Pupils and Colleagues
18. Ortmann: Piano Technique Comes of Age
19. Contemporary Technical Thought
20. The Perspectives of an Enlightened Piano Technique
Appendices
1. The Aesthetic Imperative
2. Mental and Psychological Control
3. An Intellectual Grasp of Basic Technical Knowledge
4. Isolated Movements
5. Coordinated Movements
6. Muscular Coordination
7. The Kinesthetic Sense
8. Posture
9. Means for Specific Technical Development
10. Historical Concepts and Perspectives of Piano Technical Thought
11. Supplementary Bibliography
Bibliography
Glossary
Index
Preface and Acknowledgments
1. The Meaning of Technique
2. The Early Clavier Methods
3. The Beginnings of the Piano
4. Mozart and the Early Piano Technique
5. Hummel: The Culmination of the Viennese Era
6. The Dynamic Beethoven Technique
7. Czerny: Technique Personified
8. The Early Methodology
9. The Lyricism of Chopin
10. Liszt and Virtuoso Technique
11. The Schumann Circle
12. The Beginnings of Modern Technical Methods
13. The Leschetizky Influence
14. Russian Nationalism
15. The French School
16. Breithaupt and Weight Technique
17. The English School: Matthay; His Pupils and Colleagues
18. Ortmann: Piano Technique Comes of Age
19. Contemporary Technical Thought
20. The Perspectives of an Enlightened Piano Technique
Appendices
1. The Aesthetic Imperative
2. Mental and Psychological Control
3. An Intellectual Grasp of Basic Technical Knowledge
4. Isolated Movements
5. Coordinated Movements
6. Muscular Coordination
7. The Kinesthetic Sense
8. Posture
9. Means for Specific Technical Development
10. Historical Concepts and Perspectives of Piano Technical Thought
11. Supplementary Bibliography
Bibliography
Glossary
Index