Expressive Minds and Artistic Creations: Studies in Cognitive Poetics presents multidisciplinary and interdisciplinary research papers describing new developments in the field of cognitive poetics. Among other leading researchers, many contributors are world-famous scholars of psychology, linguistics, and literature, including Raymond W. Gibbs, Jr., Zolt¿K¿vecses, and Reuven Tsur.
Expressive Minds and Artistic Creations: Studies in Cognitive Poetics presents multidisciplinary and interdisciplinary research papers describing new developments in the field of cognitive poetics. Among other leading researchers, many contributors are world-famous scholars of psychology, linguistics, and literature, including Raymond W. Gibbs, Jr., Zolt¿K¿vecses, and Reuven Tsur.
Szilvia Csábi has co-authored three edited volumes and published several articles in the field of cognitive linguistics. For fifteen years she worked in Budapest at the Publisher of the Hungarian Academy of Sciences & Wolters Kluwer as managing editor of mono- and bilingual dictionaries. Currently, she works as a linguist in private industry in California.
Inhaltsangabe
* Szilvia Csábi * Introduction * Zoltán Kövecses * Foreword * Part 1. Imagination as Simulation * 1 Degrees of Embodiment in Literary Reading: Notes for a Theoretical Model, with American Psycho as a Case Study * 2 Cognitive Poetics of Allegorical Experience * Part 2. Beyond Metaphors: Conceptual Integration and Other Complex Figurative Operations * 3 The Way Time Goes by: Conceptual Integration and the Poetics of Time * 4 Intentionality and Constraint in Conceptual Blending * 5 Cognitive Modeling and Musical Creativity * Part 3. Multiperspectivity: Proximity and Distance * 6 A Multiple-Parallel-Text Approach for Viewpoint Research Across Languages: The Case of Demonstratives in English and Chinese * 7 The Long View: Cognitive Poetic Approaches to "Dynamic Affect" in Early English Verse * 8 Poetics of Perception: The Cognitive Linguistic Foundation of Narrativity and the 'Aesthetics of Observation' in German Avant-garde Literature * Part 4. Multiperspectivity: Verbal and Visual Modalities * 9 The Locations and Means of Literary Reading * 10 Ut Pictura Poesis? The Poetics of Verbal Imagery * 11 Cognitive Linguistics and Multimodal Poetics: Sequential and Summary Scanning in Graphic Literature * 12 Elusive Qualities in Poetry, Receptivity, and Neural Correlates * Raymond W. Gibbs * Postscript * Index
* Szilvia Csábi * Introduction * Zoltán Kövecses * Foreword * Part 1. Imagination as Simulation * 1 Degrees of Embodiment in Literary Reading: Notes for a Theoretical Model, with American Psycho as a Case Study * 2 Cognitive Poetics of Allegorical Experience * Part 2. Beyond Metaphors: Conceptual Integration and Other Complex Figurative Operations * 3 The Way Time Goes by: Conceptual Integration and the Poetics of Time * 4 Intentionality and Constraint in Conceptual Blending * 5 Cognitive Modeling and Musical Creativity * Part 3. Multiperspectivity: Proximity and Distance * 6 A Multiple-Parallel-Text Approach for Viewpoint Research Across Languages: The Case of Demonstratives in English and Chinese * 7 The Long View: Cognitive Poetic Approaches to "Dynamic Affect" in Early English Verse * 8 Poetics of Perception: The Cognitive Linguistic Foundation of Narrativity and the 'Aesthetics of Observation' in German Avant-garde Literature * Part 4. Multiperspectivity: Verbal and Visual Modalities * 9 The Locations and Means of Literary Reading * 10 Ut Pictura Poesis? The Poetics of Verbal Imagery * 11 Cognitive Linguistics and Multimodal Poetics: Sequential and Summary Scanning in Graphic Literature * 12 Elusive Qualities in Poetry, Receptivity, and Neural Correlates * Raymond W. Gibbs * Postscript * Index
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