Ackowledgements Part I 1. "The Wondrous Transformation of Thought into Sound": Some Preliminary Reflections on Musical Meaning in Brahms, Heather Platt and Peter H. Smith 2. The Learned Self: Artifice in Brahms's Late Intermezzi, Steven Rings Part II 3. "Alte Liebe" and the Birds of Spring: Text, Music, and Image in Max Klinger's Brahms Fantasy, Yonatan Malin 4. Brahms's Maidens in their Cultural Context, Heather Platt 5. Ancient Tragedy and Anachronism: Form as Expression in Brahms's Gesang der Parzen, Margaret Notley Part III 6. Sequence as Culmination in the Chamber Music of Brahms, Ryan McClelland 7. 'Phantasia Subitanea': Temporal Caprice in Brahms's Op. 116, nos. 1 and 7, Frank Samarotto 8. Monumentality and Formal Processes in the First Movement of Brahms's Piano Concerto No. 1 in D Minor, op. 15, James Hepokoski 9. The Drama of Tonal Pairing in Chamber Music of Schumann and Brahms, Peter H. Smith Bibliography List of Contributors Index
Ackowledgements Part I 1. "The Wondrous Transformation of Thought into Sound": Some Preliminary Reflections on Musical Meaning in Brahms, Heather Platt and Peter H. Smith 2. The Learned Self: Artifice in Brahms's Late Intermezzi, Steven Rings Part II 3. "Alte Liebe" and the Birds of Spring: Text, Music, and Image in Max Klinger's Brahms Fantasy, Yonatan Malin 4. Brahms's Maidens in their Cultural Context, Heather Platt 5. Ancient Tragedy and Anachronism: Form as Expression in Brahms's Gesang der Parzen, Margaret Notley Part III 6. Sequence as Culmination in the Chamber Music of Brahms, Ryan McClelland 7. 'Phantasia Subitanea': Temporal Caprice in Brahms's Op. 116, nos. 1 and 7, Frank Samarotto 8. Monumentality and Formal Processes in the First Movement of Brahms's Piano Concerto No. 1 in D Minor, op. 15, James Hepokoski 9. The Drama of Tonal Pairing in Chamber Music of Schumann and Brahms, Peter H. Smith Bibliography List of Contributors Index
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