Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance.
Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance.
Rajni Shah has been an artist since 1999, working independently and collectives to create the conditions for performances, publications, conversations, and gatherings on and off-stage. Key performance works include The Awkward Position (2003-4), Mr Quiver (2005-8), small gifts (2006-8), Dinner with America (2007-9), Glorious (2010-12), Experiments in Listening (2014-15), Lying Fallow (2014-15), and Song (2016). Rajni was Honorary Research Fellow at The Centre for Contemporary Theatre, Birkbeck College (2012-2016). She completed a PhD at Lancaster University, which explored the value of listening in theatre and performance.
Inhaltsangabe
An Introduction 0.1. Influences 0.2. Contexts and key terms 0.3. How to read this book Chapter One: Listening Prelude 1.1. Root structures 1.2. Constructing listening 1.3. Accommodating otherness Chapter Two: Audience Prelude 2.1. Doing nothing 2.2. Performing silence 2.3. The choreography of attention Chapter Three: Gathering Prelude 3.1. Theatre without a show 3.2. Resisting visibility 3.3. Failing to declare oneself Chapter Four: Invitation Prelude 4.1. How we arrive 4.2. The invitational frame 4.3. An appropriate response Chapter Five: Encounter Prelude 5.1. Experiments in Listening 5.2. Listening to form 5.3. Being in audience to listening 5.4. Passing as friends Conclusion Appendix 1: Lying Fallow Appendix 2: Experiments in Listening Bibliography Index
An Introduction 0.1. Influences 0.2. Contexts and key terms 0.3. How to read this book Chapter One: Listening Prelude 1.1. Root structures 1.2. Constructing listening 1.3. Accommodating otherness Chapter Two: Audience Prelude 2.1. Doing nothing 2.2. Performing silence 2.3. The choreography of attention Chapter Three: Gathering Prelude 3.1. Theatre without a show 3.2. Resisting visibility 3.3. Failing to declare oneself Chapter Four: Invitation Prelude 4.1. How we arrive 4.2. The invitational frame 4.3. An appropriate response Chapter Five: Encounter Prelude 5.1. Experiments in Listening 5.2. Listening to form 5.3. Being in audience to listening 5.4. Passing as friends Conclusion Appendix 1: Lying Fallow Appendix 2: Experiments in Listening Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
