This book argues for a new anthropology of the moving image, bringing together an important range of essays on time-based media in the contemporary arts and anthropology.
This book argues for a new anthropology of the moving image, bringing together an important range of essays on time-based media in the contemporary arts and anthropology.
Arnd Schneider is Professor of Social Anthropology at the University of Oslo, Norway, and has published widely on contemporary art and anthropology. He is the Editor of Alternative Art and Anthropology: Global Encounters (2017) and Art, Anthropology and Contested Heritage (2020).
Inhaltsangabe
1. Expanded Visions 2. Experimenting with Film, Art and Ethnography: Oppitz, Downey, Lockhart 3. Rethinking Anthropological Research and Representation through Experimental Film 4. Stills that Move: Photofilm and Anthropology 5. On the Set of a Cinema Movie in a Mapuche Reservation 6. A Black Box for Participatory Cinema: Movie-making with ''Neighbors'' in Saladillo, Argentina 7. An Anthropology of Abandon: Art-Ethnography in the Films of Cyrill Lachauer 8. Can film restitute? Expanded Moving Image Visions for Museum Objects in the Times of Decolony
1. Expanded Visions 2. Experimenting with Film, Art and Ethnography: Oppitz, Downey, Lockhart 3. Rethinking Anthropological Research and Representation through Experimental Film 4. Stills that Move: Photofilm and Anthropology 5. On the Set of a Cinema Movie in a Mapuche Reservation 6. A Black Box for Participatory Cinema: Movie-making with ''Neighbors'' in Saladillo, Argentina 7. An Anthropology of Abandon: Art-Ethnography in the Films of Cyrill Lachauer 8. Can film restitute? Expanded Moving Image Visions for Museum Objects in the Times of Decolony
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