Exceptional Music Pedagogy for Children with Exceptionalities
International Perspectives
Herausgeber: Blair, Deborah Vanderlinde; McCord, Kimberly A
Exceptional Music Pedagogy for Children with Exceptionalities
International Perspectives
Herausgeber: Blair, Deborah Vanderlinde; McCord, Kimberly A
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Exceptional Music Pedagogy for Children with Exceptionalities: International Perspectives offers readers in music education, music therapy, and music in special education communities a new, important, and globally-informed resource for effective music pedagogies in theory and practice.
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Exceptional Music Pedagogy for Children with Exceptionalities: International Perspectives offers readers in music education, music therapy, and music in special education communities a new, important, and globally-informed resource for effective music pedagogies in theory and practice.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 336
- Erscheinungstermin: 20. November 2015
- Englisch
- Abmessung: 233mm x 154mm x 25mm
- Gewicht: 484g
- ISBN-13: 9780190234577
- ISBN-10: 0190234571
- Artikelnr.: 47862993
- Verlag: Oxford University Press, USA
- Seitenzahl: 336
- Erscheinungstermin: 20. November 2015
- Englisch
- Abmessung: 233mm x 154mm x 25mm
- Gewicht: 484g
- ISBN-13: 9780190234577
- ISBN-10: 0190234571
- Artikelnr.: 47862993
Deborah VanderLinde Blair is Associate Professor of Music Education and Coordinator of Undergraduate Music Education at Oakland University, Rochester, MI. She also serves as Associate Editor for the International Journal of Education and the Arts. Kimberly McCord is Professor of Music Education at Illinois State University. She is the past chair of the ISME Commission on Music in Special Education, Music Therapy and Music Medicine and the founder and past chair of the National Association for Music Education Special Research Interest Group on Children with Exceptionalities.
* Foreword
* Judith Jellison
* Preface
* Deborah VanderLinde Blair
* 1. Music for All: Everyone has the Potential to Learn Music
* Markku Kaikkonen
* 2. Twice Exceptional
* Alice M. Hammel
* 3. How the Orff Approach Can Support Inclusive Music Teaching
* Shirley Salmon
* 4. Lessons Learned from the Prism Project: Pedagogical Viewpoints in
Music Education for Teaching Students with Autism Spectrum Disorder
(ASD)
* Ryan Hourigan
* 5. Assistive Technology to Support Students in Accessing the Music
Curriculum
* Emily H. Watts, Kimberly McCord, and Deborah V. Blair
* 6. SoundOUT: Examining the Role of Accessible Interactive Music
Technologies within Inclusive Music Ensembles in Cork City, Ireland
* Grainne McHale
* 7. Music Activities for Children with Disabilities: An Example from
Taiwan
* Liza Lee
* 8. Behavioral Issues in the Music Classroom: Promoting the Successful
Engagement of All Students
* Alice Ann Darrow and Mary Adamek
* 9. Specified Learning Disabilities and Music Education
* Kimberly McCord
* 10. Including Students with Disabilities in Instrumental Ensembles
* Christine M. Lapka
* 11. Music for Children with Hearing Loss
* Alan Gertner and Lyn Schraer-Joiner
* 12. Reading Acquisition Frameworks for Music and Language: Layering
Elements of Literacy for Students with Exceptionalities
* Elaine Bernstorf
* 13. Understanding the U.S. Individualized Education Program Model
* Kimberly VanWeelden
* 14. Special Education and Special Music Education Outside of the
United States
* Kimberly McCord
* Index
* Judith Jellison
* Preface
* Deborah VanderLinde Blair
* 1. Music for All: Everyone has the Potential to Learn Music
* Markku Kaikkonen
* 2. Twice Exceptional
* Alice M. Hammel
* 3. How the Orff Approach Can Support Inclusive Music Teaching
* Shirley Salmon
* 4. Lessons Learned from the Prism Project: Pedagogical Viewpoints in
Music Education for Teaching Students with Autism Spectrum Disorder
(ASD)
* Ryan Hourigan
* 5. Assistive Technology to Support Students in Accessing the Music
Curriculum
* Emily H. Watts, Kimberly McCord, and Deborah V. Blair
* 6. SoundOUT: Examining the Role of Accessible Interactive Music
Technologies within Inclusive Music Ensembles in Cork City, Ireland
* Grainne McHale
* 7. Music Activities for Children with Disabilities: An Example from
Taiwan
* Liza Lee
* 8. Behavioral Issues in the Music Classroom: Promoting the Successful
Engagement of All Students
* Alice Ann Darrow and Mary Adamek
* 9. Specified Learning Disabilities and Music Education
* Kimberly McCord
* 10. Including Students with Disabilities in Instrumental Ensembles
* Christine M. Lapka
* 11. Music for Children with Hearing Loss
* Alan Gertner and Lyn Schraer-Joiner
* 12. Reading Acquisition Frameworks for Music and Language: Layering
Elements of Literacy for Students with Exceptionalities
* Elaine Bernstorf
* 13. Understanding the U.S. Individualized Education Program Model
* Kimberly VanWeelden
* 14. Special Education and Special Music Education Outside of the
United States
* Kimberly McCord
* Index
* Foreword
* Judith Jellison
* Preface
* Deborah VanderLinde Blair
* 1. Music for All: Everyone has the Potential to Learn Music
* Markku Kaikkonen
* 2. Twice Exceptional
* Alice M. Hammel
* 3. How the Orff Approach Can Support Inclusive Music Teaching
* Shirley Salmon
* 4. Lessons Learned from the Prism Project: Pedagogical Viewpoints in
Music Education for Teaching Students with Autism Spectrum Disorder
(ASD)
* Ryan Hourigan
* 5. Assistive Technology to Support Students in Accessing the Music
Curriculum
* Emily H. Watts, Kimberly McCord, and Deborah V. Blair
* 6. SoundOUT: Examining the Role of Accessible Interactive Music
Technologies within Inclusive Music Ensembles in Cork City, Ireland
* Grainne McHale
* 7. Music Activities for Children with Disabilities: An Example from
Taiwan
* Liza Lee
* 8. Behavioral Issues in the Music Classroom: Promoting the Successful
Engagement of All Students
* Alice Ann Darrow and Mary Adamek
* 9. Specified Learning Disabilities and Music Education
* Kimberly McCord
* 10. Including Students with Disabilities in Instrumental Ensembles
* Christine M. Lapka
* 11. Music for Children with Hearing Loss
* Alan Gertner and Lyn Schraer-Joiner
* 12. Reading Acquisition Frameworks for Music and Language: Layering
Elements of Literacy for Students with Exceptionalities
* Elaine Bernstorf
* 13. Understanding the U.S. Individualized Education Program Model
* Kimberly VanWeelden
* 14. Special Education and Special Music Education Outside of the
United States
* Kimberly McCord
* Index
* Judith Jellison
* Preface
* Deborah VanderLinde Blair
* 1. Music for All: Everyone has the Potential to Learn Music
* Markku Kaikkonen
* 2. Twice Exceptional
* Alice M. Hammel
* 3. How the Orff Approach Can Support Inclusive Music Teaching
* Shirley Salmon
* 4. Lessons Learned from the Prism Project: Pedagogical Viewpoints in
Music Education for Teaching Students with Autism Spectrum Disorder
(ASD)
* Ryan Hourigan
* 5. Assistive Technology to Support Students in Accessing the Music
Curriculum
* Emily H. Watts, Kimberly McCord, and Deborah V. Blair
* 6. SoundOUT: Examining the Role of Accessible Interactive Music
Technologies within Inclusive Music Ensembles in Cork City, Ireland
* Grainne McHale
* 7. Music Activities for Children with Disabilities: An Example from
Taiwan
* Liza Lee
* 8. Behavioral Issues in the Music Classroom: Promoting the Successful
Engagement of All Students
* Alice Ann Darrow and Mary Adamek
* 9. Specified Learning Disabilities and Music Education
* Kimberly McCord
* 10. Including Students with Disabilities in Instrumental Ensembles
* Christine M. Lapka
* 11. Music for Children with Hearing Loss
* Alan Gertner and Lyn Schraer-Joiner
* 12. Reading Acquisition Frameworks for Music and Language: Layering
Elements of Literacy for Students with Exceptionalities
* Elaine Bernstorf
* 13. Understanding the U.S. Individualized Education Program Model
* Kimberly VanWeelden
* 14. Special Education and Special Music Education Outside of the
United States
* Kimberly McCord
* Index